Gerry Ezard – chromatic harmonica player and teacher

Gerry Ezard as a friend and organiser

A personal tribute from Roger Trobridge – former Chairman of HarmonicaUK.

Gerry was living in London as a child and studied accordion at the Hohner run, “British College of Accordionists“. He preferred harmonica and ended up being very successful in the National Harmonica League (NHL) UK Championships in the 1950s.

This led to him being asked to join the Morton Fraser Harmonica Gang, a professional variety act. Gerry decided it was not what he wanted and after his National Service he established a business in his beloved Wales.

It was a big success and when he retired, he left it to his family and returned to the harmonica.

Gerry demonstrating the chromatic harmonica

This was about the time I took over as Chairman of the National Harmonica League (now HarmonicaUK) in October 2000. We met up through the forum on my website and he immediately joined the committee, where his business and musical experience was invaluable.

Gerry was very involved with the transfer of the annual festival to the Folk House in Bristol in 2001.Ben Hewlett was teaching a blues class for musicians there and he thought it would be a great venue.

He took a back seat around 2010 but continued to support the Chromatic Weekend festival which he had set up in 2006.

Gerry had other interests and he became leader of the Mid Glamorgan Accordion Band, still playing his chromatic harmonica. He also enjoyed writing and the research that went into it. When we met up earlier this year he was about to visit Scotland to check out the background for his latest novel.

You can learn out more from Gerry himself in this 60 mins video based on a talk he gave to the Porthcawl U3A about his life as a harmonica player entitled “Remember when you got your first harmonica“.

Gerry Ezard, performer, musician and author

Gerry has recorded two CDS, (“Just My Stuff” and “More of My Stuff”) and is also an author (Gerald Ezard) of a self produced book, “Mar$”, available through Amazon.

When Gerry performed on stage he would always dress for the occasion. It was part of the performance. His playing was of the highest standard, something he tried to pass on to anyone wishing to learn. From the time he joined the NHL in 2001, he ran workshops on all aspects of playing the chromatic harmonica. In 2006 he set up the Chromatic Weekend Festival, in Birmingham, along with Steve Dooley, which resulted in an increased awareness and uptake of the chromatic harmonica.

Gerry was always happy on stage and would always have something to say. As the following examples will show, he loved to act out stories, often in the style of the characters from the stories of Mickey Spillane and Damon Runyon – gumshoes, gangsters and gamblers. Like Larry Adler – no opportunity was missed to make it a better story.

with apologies to
Mickey Spilane

Harmonica World
Dec-Jan 2005

It was quiet, too quiet, when I crossed the reception at Jurys. The blond behind the desk wasn’t giving anything away through those baby blue peepers.

The lights were low and the noise of the gang drowned out the background music when I hit the bar. Wheels sat in his usual place eyeing the crowd, Babs, his doll, glanced up as I sashayed in hoping they wouldn’t notice the bulge of cold metal under my armpit.

I knew something was going down, but as long as it wasn’t me in a cement overcoat I was too tired to
care. I flung myself into a chair in the shadows. They were all there – Babyface Jamie, Fast Eddie, and
Fingers Lee and his Ma, Lady C.

Lady C slid the paper over to Wheels and his eyes narrowed as he glanced it over. ‘Hey Jamie, you handle this stuff?’ he breathed. Babyface sidled over, casual like, and the bar went silent as he slowly pulled out a silver 48. Yeah, “Wheels”, he nodded, ‘I can fix it’. Everyone’s hands were in the open, I kept mine there too, and smiled like I knew too much.

Wheels raked the room with his eyes, nobody looked up, ‘Any of youse guys ready to roll’ he queried. The question hung in the air like a harmonic minor. The dame nodded ‘I’m in’ she drawled, ‘Me too’ added Fast Eddie, both producing mean looking 48s.

I shrunk into the shadows but it was too late, Wheels fixed me with his eyes. A long moment passed, ‘You’re in Pops’, he announced, and I knew there was no backing out. I was glad I’d packed my big 56 because this little number was going to be a doozy.

Then Fingers began to tinkle the ivories and Wheels began to play. Lady C narrowed her eyes and joined in with Babyface alongside. Me, I was with Fast Eddie, and we all watched each other to see what went down.

Well it went something like that after the festival concert, when, at 1am in Jurys lounge, five chromatic players. Carol Axford, Gerry Ezard, Jamie Dolan, Eddie Ong and Douglas Tate played Bach’s Double Violin Concerto, with Lee Axford at the piano. The bar was still crowded with hotel guests, and there were a few surprised looks as the elegant music silenced the conversation.

It was one of those magic moments, and Douglas, with his wife Barbara at his side, had somehow managed to raise us all from our post festival day stupor to enjoy playing Bach in the early hours of the morning.

I’m glad I was there. We will remember Douglas by playing this again one day.

Gerry (Pops) Ezard

Repeat performance at Douglas Tate’s Memorial Service (21 April 2006)

Here is a video of a repeat performance of the music that was played in the bar at Jurys Hotel in Bristol, on that Saturday night. Again Gerry Ezard is the narrator and a performer alongside Colin Mort, Philip Achille, Eddie Ong and Jamie Dolan. The 9 mins recording is taken from Douglas Tate’s Memorial service in Olney Parish Church, which added its own reverb to the chromatic harmonicas.

Gerry Ezard in Concert

Gerry played in many NHL/HarmonicaUK concerts and Chromatic Weekends. He loved the film music and Light Music of his youth. Here he plays two arrangements by Tommy Reilly from the Festival Concert in 2011 and also demonstrates his sartorial elegance.

Tribute from HarmonicaUK

It was with sadness and heavy hearts that we learned of Gerry’s passing. Everyone who had the pleasure of meeting him will miss him greatly.

Gerry played a major role in rebuilding HarmonicaUK and the teaching and promotion of his beloved chromatic harmonica.

A professional performer on stage – off stage he was warm and generous with an impish sense of humour.

The Gerry Ezard Royal National Lifeboat Institution (RNLI) Tribute Fund

There is a Gerry Ezard – Forever By the Sea Tribute Fund page for donations. Gerry was an avid Royal National Lifeboat Institution (RNLI) supporter. He loved life aboard his boat. Our first meeting was through a link to his Moonraker boat club.

Tommy Reilly Discography 4 Music Library

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Tommy Reilly, David Reilly and James Moody recorded a large amount of music to be used as incidental or background music (Music Library or Production Music).
Some of the tracks were selected and used as theme music for TV and Radio shows such as The Navy Lark (Trade Wind Hornpipe) and the 1968 Children’s Adventure Weekly on the BBC and the Canadian Children’s programme Bobino (Double March).
A series of alias were used for the composer’s name including Max Martin and Dwight Barker.Some of the early music was released on 78 rpm recordings but most were released later as LPs along with some later compositions.
Solo Harmonica with Guitar Accompaniment – Conroy Recorded Music Library, Berry Music, BLMP 088 – Composers: D & T Reilly. Tommy Reilly, harmonica, David Reilly, guitar. Side A: Knights and Dragons; Morning Ride; Children’s Fountain; Canals and Bridges; Sad Waltz; Moaning Bird; Bistro; Bossa Petite; The Daylight Song. Side B: Thingamajig; Bicycle Bill; Dream Day; Once upon a Time; Almost Mozart; Ha Harmonica; Boy Soldier; Grass Roots; Cantina.
Each track is typically 1 to 2.5 mins.
Harmonica – Conroy Recorded Music Library, Berry Music, BMLP 160 (1976) – Composer: D Barker. – Side A: Sophisticated Party; Wind in her hair; Trade Wind Hornpipe; Child’s Play; Hurry, Hurry; Pins and Needles; Night Out; Shooting the Rapids; Alley Cat; Mirabelle; Closing Tab 1; Closing Tab 2; Crown and Anchor; Beauty Queen; Evening Stroll; Keep it Steady; Jaunty Joe; Conjuring Trick; Gangway; Capstan Hornpipe; Liberty Special; Double March; Rolling Stone; Saucy Jack; Tall Story; Cocked Hat, Deck Games. Side B: Criss Cross; Royal Jester; Highway; Fly by Night; Follow Through; Top Dog; Easy Going; Smartie; Caught Out; Flip Flap; Ridin’ Herd; Whistling Star; Cricket on th Spree; Alpine Echoes; Downlown Blues; Another Spring; More Haste; Pay Off; River Queen; Blue Dawn; Lost Patrol; Blue Sails; Roundabout Romance.
Each track is typically 30-60 seconds in length.
They came from earlier recordings – Side A: BM 118 (1958) (1/5), BM 201 (1559)-(6/18), BM 251 (1960 (19-27) – solo harmonica and small orchestral accompaniment – Side B: BM 252 (1960) (1-11), BM 253(1960) (12-18), BM 254 (1960) (19-23) – harmonica with rhythm accompaniment.
There was another 78rpm issued – BM 126 (1958): Side A – Montmarte Mood – Rolling Along: Side B – Grim Jim, Suspense in Crime, Stealthy Criminal.BM 254B (1960): Yokohama Holiday is a Dwight Barker composition but no harmonica. BM 255 (1960): Side A was written by Dwight Barker but it has no harmonica.
Harmonica Moods – Boosey and Hawkes Library Music, SBH 3091 – Composer: David Holland. Soloist: Tommy Reilly, Harmonica. Side A: The Hamelin Piper; The Lady of the Lake; Ghost Town; Irish Navy Run; Slow Gold; Objets d’art. Side B: Oliver’s Theme; Florintina; Texas Trail; Languid Lady; Thru’ the Rockies; Convolution.
Each track is typically 2-3 mins seconds in length. Harmonica solos, duets and harmonica/guitar.

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Tommy Reilly Discography 3 CDs

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Serenade – Chandos – CHAN 8486 – Bulgarian Wedding Dance (Moody), Pavane Op. 50 (Faure), Romance (Faure), Norwegian Dance no. 2 (Grieg), Adagietto (George Martin), Aviator (David Reilly), Serenade (Tommy Reilly), Sonata (Handel, arr. Moody), Au bord de l‘eau (Faure), Bruyeres (Debussy), On Wings of Song (Mendelssohn), My Lagan Love (trad., arr. Tommy Reilly), Two Beatle Girls (Lennon-McCartney, Martin) – with the Academy of St. Martin-in-the Fields Chamber Ensemble – (1986)
Tommy Reilly and Skaila Kanga Play British Folk-Songs – Chandos – CHAN 8559 – Skye Boat Song, Early One Morning, Blow the Wind Southerly, Scarboro‘ Fair, Londonderry Air, Trotting to the Fair, Drink to me only, Kathleen Mavoureen, Morning has broken, The Lark in the Clear Air, Cherry Ripe, Ash Grove, David of the White Rock, Keel Row, Ye Banks and Braes, Endearing Young Charms, Dashing away with the Smoothing Iron, My Love is like a Red, Red Rose, She moved thro‘ the Fair, The Rising of the Lark – with Skaila Kanga, Harp – (1987)
Works for Harmonica and Orchestra – Chandos – CHAN 8617 – Romance (Ralph Vaughan Williams), Concertino (Vilem Tausky), Little Suite (James Moody), Five Pieces (Gordon Jacob) – with the Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – originally on the Argo label (ZRG 856) – (1988)
Thanks for the memory – Chandos – CHAN 8645 – Over the Rainbow (Arlen), Medley: There‘s a Small Hotel (Rodgers-Hart), Once in a While (Green-Edwards), A Pretty Girl is like a Melody (Berlin), I‘ll Follow my Secret – Heart (Coward), In a Sentimental Mood (Ellington), Medley: A Nightingale Sang in Berkeley Square (Sherwin- Maschwitz), Dancing on the Ceiling (Rodgers-Hart), Love is the Sweetest Thing (Noble), Misty (Garner), Medley: Goodnight Vienna (May), I am Getting Sentimental over You (Bassman), The Way you Look Tonight (Kern), Sweet and Lovely (Arnheim-Tobias-Lemare), Medley: When you Wish upon a Star (Harline-Washington), Because I Love You (Berlin), I‘m a Dreamer (DeSylva-Brown- Henderson), Smoke gets in Your Eyes (Kern), Medley: A Room with a View (Coward), Tenderly (Lawrence-Grosz), The Breeze and I (Lecuona), Thanks for the Memory (Rainger-Robin), Medley: Getting to Know You (Rodgers-Hammerstein), September Song (Weill-Anderson), Someday I‘ll Find You (Coward), Body and Soul (Green), Medley: One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin) – with James Moody, piano – (1988)
Tommy Reilly, Skaila Kanga, harp, Hindar Quartet – Chandos – CHAN 8802 – Divertimento for harmonica and string quartet (Gordon Jacob), Suite dans le style francais (James Moody), Quintet for harmonica and string quartet (James Moody) – with the Hindar Quartet und Skaila Kanga, harp – originally released in 1975 on the Argo label (ZDA 206) and in 1981 on the Philips label (9500 997)- 1990
Serenade, vol 2 – Chandos – CHAN 6568 – Spanish Dance No.2 (Moszkowski), Siciliano (Bach), Ballet Music from „Faust“ (Gounod), Aria from „Bachianas Brasileiras“ no.5 (Villa-Lobos), La Fille aux Cheveux de Lin (Debussy), Allegro (Fiocco), Gymnopedie no.1 (Satie), Gavotte en Rondeau (Bach, arr. Reilly), The Fog is Lifting from the Play „The Mother“ (Nielsen), Pizzicato from „Sylvia“ (Delibes), Meditation de Thäis (Massenet), Merrily-Go-Round (Kanga), Estrellita (Ponce), Eastern Motif (Kanga), Gavotte from „Mignon“(Thomas), Ave Maria (Bach-Gounod), Elegy (Fisher), Sleepy Shores (Pearson), Song in the Night (Salzedo), Canzonetta (Kanga), Valsentino (Reilly), Cavatina (Myers) – with Skaila Kanga, harp – (1992)
Tommy Reilly Plays Harmonica Concertos and Virtuoso Works – Chandos – CHAN 9248 – Concerto for Harmonica and Orchestra (Michael Spivakovsky) – with the Münchner Rundfunkorchester, cond. Charles Gerhardt – Concerto for Harmonica and Orchestra (Malcolm Arnold) – with the Basel Radio Sinfonieorchester, cond. Cedric Dumont – Concerto for Harmonica and Orchestra (Heitor Villa-Lobos) – with the Rundfunkorchester des Südwestfunks, cond. Emmerich Smola – Toledo, Spanish Fantasy for Harmonica and Orchestra (James Moody) – with the Münchner Rundfunkorchester, cond. Robert Farnon – Prelude and Dance for Harmonica and Orchestra (Robert Farnon) – with Robert Farnon and his orchestra – (1993)
Classique Nostalgie: Harmonica Recital – London (Japan) – POCL-3683 – Waltz in D-flat Major, op. 64 no.1 (Chopin), Jasmin (Hazell), Popular Song (Walton), Air and Rondo (Händel), Fair Maid of Perth (Bizet), Cancion y Danza (Mompou), Italien Dance (Dring), The Swan (Saint-Saens), Humoresque (Reizenstein), Chanson Russe (Stravinsky), Sonatine (Scarlatti), Gymnopedie no. 1 (Satie), Trotting to the Fair, (trad., arr. Moody), Sonatina (Saunders) – – with James Moody, piano, and Skaila Kanga, harp – it is a Japanese release of “Harmonica Recital“, Argo ZK 55 – (1994)
Tommy Reilly – Classic People (Korea) – CPCD-07 – Scarborough Fair (trad., arr. Kanga), Kathleen Mavoureen (trad., arr. Moody), David of the White Rock (trad., arr. Kanga), Pavane (Fauré, arr. Langford), Norwegian Dance no.2 (Grieg, arr. Langford), On Wings of Song (Mendelssohn, arr. Langford), One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin), In a Sentimental Mood (Ellington), Concertino for Harmonica and Orchestra: 1st Movement (Vilem Tausky), Little Suite for Harmonica and Orchestra: Cantilena (James Moody), Harmonica Quintet: 3rd Movement (James Moody) – with Skaila Kanga, harp, Academy of St. Martin-in-the- Fields Chamber Ensemble, James Moody, piano, Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – (1995)
Harmonica Parisien – Sterndale Records STE 3461 – La Vie en Rose (Louiguy-Piaf), Plaisir d‘amour (Martini), Sous le ciel de Paris (Giraud-Brun), Quand je reviendrai (Rey), J‘attendrai (Olivieri, Rastelli, Poterat), Clopin Clopant (Coquatrix-Dudan-Goell), Les feuilles mortes (Kosma-Prevert), Moulin Rouge (Auric-Larue), La Ronde de L‘Amour (Straus-Ducreux), Hymne à L‘Amour (Monnot-Piaf), Le Mer (Trenet-Lasry), Les trois cloches (Villard), Valsentino (T. Reilly), Shadow Valse (Dubois), Le Grisbi (Wiener-Lanjean-Parsons), Un Homme et une Femme (Lai-Barouh), Loin du Bal (Gillet), La Mattchiche (Borel-Briolette-Lelievre), Poupée Valsante (Poldini-Kreisler), Objet d‘art (Holland), Berceuse (Fauré), I‘ll remember today (Piaf-Engvick), La Petite Tonkinoise (Scotto-Christine) – Title 1-12: Tommy Reilly and his orchestra, the remaining: with different accompaniments – (1999)
A Life in Music (Vintage Tommy Reilly) – Chandos – CHAN 20143 – Zigeunerweisen (Pablo de Sarasate), Sonata. L 338. KK450 (Domenico Scarlatti), Gigue from Partita no. 3. BWV 1006 (Johann Sebastian Bach), Serenade (Serge Rachmaninoff), Age of Innocence (David Reilly / Robert Farnon). Italian Dance (Madeleine Dring), Spanish Dance No. 2 (Moritz Moszkowski), Voice from the Past (Tommy Reilly/James Moody), Firebrand (Alan Langford), Deep Purple (Peter de Rose), Dance of the Comedians (Bedrich Smetana), Overture to ‘Le Nozze di Figaro’ (Wolfgang Amadeus Mozart), Midnight in Mayfair (Newell Chase), Cumbanchero (Rafael Hernandez Marín), Jealousy (Jacob Gade), Dinah (Sam M. Lewis/Joe Young/Harry Aksi), Bop! Goes the Weasel (Jack Bentley/Reginald Owen), Firefly (Donald Phillips), Begin the Beguine (Cole Porter), Gin ginger (Bobby Young), No limit (Tommy Reilly/Bobby Young), Bulgarian Wedding Dance (James Moody), Hora Staccato (Grigoras Dinicu/Jascha Heifeizi), 18th Century Rock (Jimmy Leach), Irish Medley (traditional), The Breeze and I (Ernesto Lecuona), Le Grisbi (Jean Wiener), The Red Flame (Tommy Reilly/Maurice Arnold), Waltz. Op. 64 No. I (Minute Waltz’ (Fryderyk Franciszek Chopin), Golden Girl (Tommy Reilly/James Moody)
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Featured artist recording and DVDs

Midnight Cowboy (Barry) – Polydor – NH 59323 – with John Scott and his orchestra – (1969)
Valdres March (Hanssen, arr. Richards),
Memories (D. Reilly-Durham) – Polydor – 2052 001 – (1969)
The Music of Robert Farnon – Polydor – 2382 008 – Prelude and Dance for Harmonica and Orchestra, with Robert Farnon and his orchestra. Also on the Baby Grand label (SE 1047) – (1971)
Quand je reviendrai (Rey), Les Trois Cloches (Villard) – Decca – FR 13274 – Tommy Reilly and his orchestra – (1971)
The Entertainer (Joplin), Turkey Trot (M. Martin) – Polydor – 2052 101 – with Kaare Ørnung, piano – (1974)
Bing Crosby reading Tom Sawyer by Mark Twain – Argo – ZSW 561-3 – with music, written by David Reilly and played by Tommy Reilly, David Reilly, Billy Bell and Chris Hazell – 1976
Flåklypa Grand Prix (film soundtrack) – Polydor – 2382 066 – Music by Bent Fabricius-Bjerre and played by Tommy Reilly – (1976)
Tarka the Otter (Film-Soundtrack) – Argo – ZSW 613 – Music by David Fanshawe, played by Tommy Reilly and his ensemble – (1979)
Winnetou Melodien – Teldec – 6.24965 AS – Old Shatterhand-Melodie, Apanatschi, Winnetou Melodie, Grand Canyon-Melodie, Chinla-River-Song (Böttcher) – with the Münchner Rundfunkorchester, conducted by Martin Böttcher – also on CD – (1981)
Siesta – SCD 15069 – GRCD 4140 – CD by Sigmund Groven with Tommy Reilly as guest: Serenade, aus dem Trio D-Dur, op. 8 no. 1 (Beethoven, arr. Moody-Bjerkestrand) with Sigmund Groven, 2nd Harmonica, Ivar Anton Waagaard, piano, and Kjetil Bjerkestrand, synthesizer – (1993)
Bernard Herrmann: “Night Digger” – Scenario Macabre for Orchestra (Filmmusik) – X (Australia) – LXCD 12 – with Sessions of London, conducted by Bernard Herrmann – (1994)
André Gagnon: Romantique – Star (Canada) – STR-CD-8057 – Le pianiste envolé (Gagnon) – – with the National Philharmonic Orchestra, cond. John Coleman – (1994)
Concerto for Harmonica and Orchestra, op. 46 (Malcolm Arnold) – BBC Radio Classics – BBCRD 9103 – “Walton, Grainger, Smetana, Borodin, Arnold” – with the BBC Concert Orchestra, cond. Henry Krips – (1995)
Serenade for unaccompanied Harmonica (Tommy Reilly) – BBC Radio – BBCRD 9115 – “Walton, Arnold, Farnon, Coates“- (1995)
The Navy Lark: Trade Wind Hornpipe (James Moody- Tommy Reilly), 
The Grove Family: Family Joke (Erik Spear) – EMI Premier – 7243 83499625 – “Vintage Themes from British Radio, Television & the Newsreels” – with Orchestra, conducted by James Moody and Eric Spear – (1996)
I godt lag – Sonet – SCD 15102, later Grappa – GRCD 4142 – CD by Sigmund Groven with Tommy Reilly as guest: Duettino (Fried Walter), with Sigmund Groven, 2nd harmonica, and the Berliner Rundfunkorchester, conducted by Fried Walter – Three Irish Airs (trad., arr. James Moody) – with Sigmund Groven, 2nd harmonica, and Kaare Ørnung, piano – (1996)
This information is taken from a range of sources including our own collection and the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, produced with the help of Sigmund Groven.

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Tommy Reilly Discography 2 LPs/33rpm

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The Life of Reilly – World Sound- T 541 – Irish Traditionals: The Humours of Limerick, Thady‘s Wattle, St. Patrick‘s Day, The Irish Washerwomen, The Meeting of the Waters, The Rakes of Kildare, Dumph‘s Hornpipe, Coming through the Field, Castle of Dromore, Killarney, Tatler Jack Welsh, Kathleen Mavoureen, The Gentle Maiden, The Minors of Wicklow, The Mug of Brown Ale, The Last Rose of Summer, Snowy Breasted Pearl, The Showman‘s Fancy, The Fairy Reel, Love Thee Dearest, Maggie Morrissey, The Green Fields of Erin, Lark in the Clear Air, The Rakes of Mallow, My Lagan Love, Go to the Devil, Old Women, Black Thorn Stick – with James Moody and his players – (1965)
Chromonica Rallye mit Tommy Reilly Concorde – ORL-ST 5002 – Cobra – FLLP 207 – The Peanut Vendor (Simon), Midnight Party (Haensch), Sinfonie (Alstone), Flirt in Rio (Reilly-Arnold), No Time (Rundle-Morris), Esmeralda (Rundle-Morris), Piccolino (Berlin), Acapulco Holiday (Martin), To pass the time (Fruth), In the dusk (Jojic), Colonel Bogey (Alford), Tokyo (Rundle-Morris) – with The Continentals – (1967)
Colours of my Life – Polydor – 236 507 – Paper-hearted Friend (D. Reilly-Durham), If it‘s a Game (D. Reilly-Durham), Slavonic Patrol (Martin), Can‘t make up my mind (D. Reilly-Durham), Bachanalia (Moody), Colours of my Life (D. Reilly-Durham), The Night Knows All (Gert), Badinerie (Bach), Chanson Russe (Stravinsky), In the Evening (Trad., arr. E. Groven), Seventeen Come Sunday (Trad., arr. Morris), Strawberry Fair (Trad., arr. Morris), One Summer Day (Richards), Berceuse (Faure) – with the Hindar Quartet, rhythm group and Johan Ųian, piano – (1968)
Tommy Reilly Harmonica Course – Hohner – FP 1969 – with two LP discs or a cassette. Reissued privately 2006
Melody Fair – Polydor – 222 002 – Angelin is always Friday (Woodley-Paxton), What a wonderful World (Weiss-Douglas), Lead on Light (D. Reilly-Durham), Yours to the end (arr. W. Last), Canadian Sunset (Heywood), Melody Fair (Farnon), La Source (Dijan-Faure-Bonnet), Kiss me goodby (Reed-Mason), The Legend of Xanadu (Howard-Blaikley), A Man without Love (Livraghi-Panzeri-Pace), My First Dance (W. Last-Loose), Tomorrow is far away (W. Last-Bader) – with the Kai Warner singers and orchestra – (1969)
Latin Harmonica – Polydor – 2418 021 – 2 The Pearlfishers (Bizet), Cumana (Allen-Spina-Hillmann), Beso triste (Steffanowski), The man who stood (D. Reilly), Baiao cacula (Gennari-Tedesco), Ba-tu-ca-da (Alfonso-Trinidade), Poinciana (Simon), Quando, quando (Renis), Serenata (Anderson-Parish), Pueblo Bossa (W. Last), Golden Earrings (Young-Livingston-Evans), If it‘s all the same to you (D. Reilly) – with Kai Warner and his orchestra – (1970)
The Harmonica of Tommy Reilly – Polydor – 2382 002 – Sonata in g-minor (Scarlatti), Drink to me only with thine eyes (Trad., arr. Moody), Gavotte en Rondeau (Bach), Gigue (Bach), Serenade (Rachmaninoff), Age of Innocence (D. Reilly-Farnon), Bulgarian Wedding Dance (Moody), Italian Dance (Dring), Voice from the Past (T. Reilly-Moody), Spanish Dance (Moszkowski), My World for Love (D. Reilly-Moody), Caprice (Duck), Firebrand (Langford) – with Kaare Ųrnung, piano, and string quartet – (1971)Wand‘rin‘ Star – Polydor – 2384 029 – I‘m an old cowhand (Mercer), This river flows to New Orleans (D. Reilly), Ragtime Cowboy Joe (Muir- Abraham-Clarke), Streets of Laredo (arr. D. Reilly), Don‘t fence me in (Porter), Birmingham Jail (arr. D.Reilly), The Big Country (Moross), Wand‘rin‘ Star (Loewe-Lerner), Yellow Rose of Texas (arr. D. Reilly), Red River Valley (arr. D. Reilly), Beautiful Brown Eyes (Wynne-James), Riverboat Queen (D. Reilly), Buttons and Bows (Livingston-Evans) – 1971)
Tommy Reilly Plays Fried Walter – Apollo – AS 1008 – The Adventures of Corporal Smith – Cascade – Duettino*, Arabesque – Ballade and Tarantella (alle von Fried Walter) – with the Berlin Studio Players, conducted by Fried Walter and *Sigmund Groven, harmonica) – (1971)
Harmonica Parisien – Polydor – 2382 016, 2922 053, 2484 044 – La Vie en Rose (Louiguy), Plaisir d‘amour (Martini), Sous le ciel de Paris (Giraud-Brun), Quand je reviendrai (Rey), J‘attendrai (Olivieri-Rastelli-Poterat), Clopin Clopant (Coquatrix-Dudan-Goell), Les feuilles mortes (Kosma-Prevert), Moulin Rouge (Auric-Larue), La Ronde de L‘Amour (Straus-Ducreux), Hymne a L‘Amour (Monnot-Piaf), La Mer (Trenet-Lasry), Les Trois Cloches (Villard) – Tommy Reilly and his orchestra – also on the Philips label (6382 062) – (1972)
Warm Latin Sounds – Philips – 6382 081 – Sunshine of my Life (Wonder), Wave (Jobim), Baubles, bangles and beads – (Wright-Forrest), Triste (Jobim), Corcovado (Jobim), Light my Fire (TheDoors), Girl from Ipanema (Jobim-de Moraes), It‘s Impossible (Manzanero), Desafinado (Jobim), The Secret (Rey), Shadow of your Smile (Mandel-Webster), Brazil (Barroso) – Tommy Reilly and his orchestra – (1975)
The Silver Sound of the Harmonica – ARGO ZDA 206 – Divertimento for harmonica and string quartet (Gordon Jacob), Suite dans le style francais (James Moody), Quintet for harmonica and string quartet (James Moody) – with the Hindar Quartet und Skaila Kanga, harp – also released in 1981 on the Philips label (9500 997)- 1975
Music for two harmonicas – Polydor – 2922 008 – Seventeen-Seventy-One (James Moody), Tźte-ą-Tźte (Robert Farnon), Introduction and Galop (Gordon Jacob), A Summer Romance (Grųttum), Invention (Max Saunders), Bohemian Carnival (Vilem Tausky), The Rose of Telemark (Tommy Reilly-Sigmund Groven-David Reilly), Love Theme from Tom Sawyer (David Reilly-Tommy Reilly), Blow, Silver Wind (Sigmund Groven-Erik Bye), Valsentino (Tommy Reilly), Sicilian Interlude (James Moody), Window of the World (David Reilly) – with Sigmund Groven, harmonica, Armon String Quartet, Skaila Kanga, harp, David Reilly, guitar, Frank Clarke, bass, Russ Stableford, bass (1976)
Works for Harmonica and Orchestra – Argo – ZRG 856 – with the Academy of St. Martin-in-the-Fields, directed by Neville Marriner – Little Suite (James Moody), Five Pieces (Gordon Jacob), Concertino (Vilem Tausky), Romance (Ralph Vaughan Williams) – (1977)Harmonica Recital – Argo – ZK 55 – Waltz in D-flat Major, op.64 no.1 (Chopin), Jasmin (Hazell), Popular Song (Walton), Air and Rondo (Händel), Fair Maid of Perth (Bizet), Cancion y Danza (Mompou), Italian Dance (Dring), The Swan (Saint-Saens), Humoresque (Reizenstein), Chanson Russe (Stravinsky), Sonatine (Scarlatti), Gymnopedie (Satie), Trotting to the Fair (arr. Moody), Sonatina (Saunders) – with James Moody, piano, und Skaila Kanga, harp – (1978)
Tommy Reilly Plays Villa Lobos Harmonica Concerto – Argo – ZRG 905 – Harmonica Concerto (Villa-Lobos), Harmonica Concerto (Malcolm Arnold), Harmonica Concerto (Arthur Benjamin) – with the London Sinfonietta, conducted by David Atherton – (1979)
Romantic Melodies – Philips – 9500 997 – Ave Maria (Bach-Gonoud), Ballet Music from “Faust“ (Gounod), Bachianas Brasileiras No. 5 (Villa-Lobos), Eastern Motif (Skaila Kanga), Cavatina (Myers), Gavotte from “Mignon“ (Thomas), Siciliano (Bach), Suite dans le style francais (Moody) – with Skaila Kanga, harp – (1981)
Tommy Reilly und Pluche – Nova-Zembla NZR 85001 – Valencia (Padilla), Falling in Love Again (Hollaender), Loin du Ball (Gillet), Over the Rainbow (Arlen), Poupee Valsante (Poldini), Romance op. 97 (Shostakovitch), Golden Girl (Martin), La Petite Tonkinoise (Scotto), Drink to me only with thine eyes (trad., arr. Morris), Georgian Rumba (Slaney), Smoke gets in your eyes (Kern), Believe me if all those endearing young charms (trad., arr. Morris), La Mattchiche (Borel-Clerc), Sunshine Rag (Martin) – arranged by James Moody – with the Pluche Salon Orchestra – (1985)
Serenade – Chandos – ABRD 1202 – Bulgarian Wedding Dance (Moody), Pavane Op. 50 (Faure), Romance (Faure), Norwegian Dance no. 2 (Grieg), Adagietto (George Martin), Aviator (David Reilly), Serenade (Tommy Reilly), Sonata (Handel, arr. Moody), Au bord de l‘eau (Faure), Bruyeres (Debussy), On Wings of Song (Mendelssohn), My Lagan Love (trad., arr. Tommy Reilly), Two Beatle Girls (Lennon-McCartney, Martin) – with the Academy of St. Martin-in-the Fields Chamber Ensemble – (1986)
Tommy Reilly and Skaila Kanga Play British Folk-Songs – Chandos – LBRD 017 – Skye Boat Song, Early One Morning, Blow the Wind Southerly, Scarboro‘ Fair, Londonderry Air, Trotting to the Fair, Drink to me only, Kathleen Mavoureen, Morning has broken, The Lark in the Clear Air, Cherry Ripe, Ash Grove, David of the White Rock, Keel Row, Ye Banks and Braes, Endearing Young Charms, Dashing away with the Smoothing Iron, My Love is like a Red, Red Rose, She moved thro‘ the Fair, The Rising of the Lark – arranged by Skaila Kanga – with Skaila Kanga, Harp – (1987)
Works for Harmonica and Orchestra – Chandos – ABRD 1306 – Romance (Ralph Vaughan Williams), Concertino (Vilem Tausky), Little Suite (James Moody), Five Pieces (Gordon Jacob) – with the Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – originally (1977) Works for Harmonca and Orchestra – Argo – ZRG 856 – (1988)
Thanks for the memory – Chandos – LBRD 020 – Over the Rainbow (Arlen), Medley: There‘s a Small Hotel (Rodgers-Hart), Once in a While (Green-Edwards), A Pretty Girl is like a Melody (Berlin), I‘ll Follow my Secret Heart (Coward), In a Sentimental Mood (Ellington), Medley: A Nightingale Sang in Berkeley Square (Sherwin- Maschwitz), Dancing on the Ceiling (Rodgers-Hart), Love is the Sweetest Thing (Noble), Misty (Garner), Medley: Goodnight Vienna (May), I am Getting Sentimental over You (Bassman), The Way you Look Tonight (Kern), Sweet and Lovely (Arnheim-Tobias-Lemare), Medley: When you Wish upon a Star (Harline-Washington), Because I Love You (Berlin), I‘m a Dreamer (DeSylva-Brown- Henderson), Smoke gets in Your Eyes (Kern), Medley: A Room with a View (Coward), Tenderly (Lawrence-Grosz), The Breeze and I (Lecuona), Thanks for the Memory (Rainger-Robin), Medley: Getting to Know You (Rodgers-Hammerstein), September Song (Weill-Anderson), Someday I‘ll Find You (Coward), Body and Soul (Green), Medley: One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin) – with James Moody, piano – (1988)
This information is taken from a range of sources including our own collection and the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, produced with the help of Sigmund Groven.

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Tommy Reilly Discography 1 78/45rpm

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Parlophone – R 3354 – Medley – Side One: I didn‘t slip, I wasn‘t pushed, I fell, Who‘ll be the next one to cry over you, Bibbidi-bobbidi-boo – Side Two: Can anyone explain, You‘re heartless, Autumn Leaves – (1951)
Parlophone – R 3364 – El Cumbanchero (Hernandez), Midnight in Mayfair (Chase)
also on the Odeon label – ND 7028 – (1951)
Parlophone – R 3389 – The Saturday Waltz (Johanson), Capricious (Harding)- (1951)
Parlophone – R 3415 – Cuban Holiday (Phillips), Teddy Bears‘ Picnic (Bratton) – (1951)
Parlophone – R 3444 – Ciribiribin on the Mandolin (Hoffman, Corday, Carr), So Deep My Love (Stone-Drake-Shirl) – (1951)
Parlophone – R 3458 – Jealousy (Gade), Laura (Raksin)- (1951)
– all the above recordings were with the Vic Hammett Quartet
Hohner Nr.1 – Londonderry Air (Irish Trad., arr. Tommy Reilly), Träumerei (Schumann)- (1951)
Hohner Nr. 2 – Minuet (Boccherini), Badinerie (Bach) – (1951)
both singles with Adela Kotowska, piano
Parlophone – R 3511 – Melody on the Move (Richardson), Parade of the Tin Soldiers (Jessel) – (1952)
Parlophone – R 3524 – Dinah (Lewis, Young, Akst), That old black Magic (Arlen, Mercer) – (1952)
Parlophone – R 3560 – Martinique (Warren), Toy Trumpet (Scott) – (1952)
all singles with the Vic Hammett Quartet
Parlophone – R 3598 – Bop! goes the Weasel (Bentley, Owen) – – with the Vic Hammett Quartet – Side Two – Sonny Terry – Hootin’ Blues – (1953)
Parlophone – R 3645 – Lazy Cowboy (Guthrie), Limping Man Theme from the film Street of Shadows (Spear) – with orchestra, conducted by Eric Spear – (1953)
Parlophone – R 3693 – Strictly Personal (Spear), Theme from The Night of the Fourth (May) – with orchestra, conducted by Eric Spear – (1953)
Parlophone – R 3860 – Family Joke (Spear), High Horse (Spear) – with orchestra, conducted by Eric Spear – (1954)
Parlophone – R 3924 – Rip van Twinkle (Nelson), The High and the Mighty (Tiomkin) – with the Ernie Bragg Quintet. also on the Odeon label (ND 7243) – (1954)
Nixa – NMEP 33 – Firefly (Phillips), Stormy Weather (Arlen), Begin the Beguine (Porter), Blue Moon (Rodgers) – with Reinhold Svensson and his Quartet – also on the Metronome label (MEP 24021)- (1954)
Oriole – CB 1316 – Rififi (Paris by Night) – (Larue, Gerard, Fishman) – with the Maple-Leaf Four and the Ted Astley Band – (1956)
Oriole – CB 1329 – Theme from The Intimate Stranger (Trevor Duncan), Side Two: Lonnie Donegan, The Passing Stranger – with Johnny Gregory and his orchestra – (1956)
Oriole – CB 1426 – An Ordinary Copper from Dixon of Dock Green (Darnell, Warner), On the way up (Burnaby, Mainwaring) – with the Johnny Gregory orchestra – a Jack Warner song – (1958)
Fontana label – H 104 – Barnacle Bill‘s Hornpipe (Addison), Count five and die (Wooldridge) – with Mike Sammes Singers and the Johnny Gregory Orchestra – (1958)
Hohner – T 4007 – The Navy Lark, The Sailing Valse, Before The Breeze, Hoopla (Reilly, Moody) – music from the film not the BBC Radio show – with James Moody, piano, and rhythm group – (1960)
Hohner – T 7003 – Chromonica – Swiss Merry-go-round (Reilly), A la Francaise (Martin), No Limit (Young), Bulgarian Wedding Dance (Moody) – with James Moody, piano, and rhythm group – (1960)
Decca – F 11490 – My Lost Love (Sherman) – with the Ivor Raymonde Orchestra – (1960)
RCA – RD 27175 – Dale Robertson Presents Western Classics – Wells Fargo Theme (Thompson), Take me back to my boots and saddle (Samuels, Whitcup, Powell), Ole faithful (Carr, Kennedy), The old Chisholm Trail (arr. McPhail), – with Roland Shaw and his orchestra – also on the RCA label (LPM 2158) – (1960)
Tivoli – 43008 – The New Sound of Tommy Reilly – College Girl, Blue Violets, Far, Fortune‘s Favourite – (1960)
Tivoli – 43009 – The Virtuosity of Tommy Reilly, Never, Days of Yearning, Lotus, Someday Soon – both singles with orchestra, conducted by Bob Hueting – (1960)
Tivoli – 62030 – Bavarian Woodpecker (Martin), Umbala (Martin) – with ensemble, conducted by Coen van Orsow – (1960)
Philips – PN 1094 – Theme from The Sundowners (Tiomkin), Down under (Tiomkin)- with Wally Stott and his orchestra – (1960)
Philips – BBE 12413 – Harmonica Magic – Down under (Tiomkin), Theme from The Sundowners (Tiomkin), Yokohama Holiday (Barker), The Green Leaves of Summer (Tiomkin) – with Wally Stott and his orchestra – (1961)
Philips – BF 326 543 – Blow, Man, Blow (Reilly, Warren), No Dice (Reilly, Warren) – (1962)
Philips – PB 1248 – So Little Time (Tiomkin), Moon Fire (Tiomkin), both from the film 55 Days at Peking – with the Ivor Raymonde choir and orchestra – (1963)
Oriole – CB 1833 – Dakota (Alan), S.O.S (Alan) – Tommy Reilly and The Tradesmen – (1963)
Polydor – NH 66808 Paper-hearted Friend (D. Reilly-Durham), Colours of my Life (D. Reilly-Durham) – (1967)
Polydor – NH 59323 – Midnight Cowboy (Barry) – with John Scott and his orchestra – (1969)
Polydor – 2052 001 – Valdres March (Hanssen, arr. Richards), Memories (D. Reilly-Durham) – (1969)
This information is taken from a range of sources including my own collection, the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, and produced with the help of Sigmund Groven.

Return to Tommy Reilly Retrospective page

Midnight Cowboy – Toots Thielemans or Tommy Reilly – solved!

The theme from Midnight Cowboy is one of the best known pieces of music played on harmonica.

This is the version from the Soundtrack Album of John Barry’s music for the Jerome Hellman – John Schlesinger film Midnight Cowboy.

Everyone knows who played it, don’t they…
It was Toots, wasn’t it???

I stumbled over this question when someone told me it wasn’t Toots Thielemans, it was the British harmonica soloist, Tommy Reilly. It turned out to be more complicated than this.

The making of Midnight Cowboy

John Schlesinger began filming Midnight Cowboy in Florida, Texas and New York in 1968 and during 6 months of post production he realised that he needs some contemporary music for the film. John Barry had written music for Bond films and had also been involved with the UK popular music scene in the 60s as the leader of the John Barry Seven, and an arranger for pop singers, so he was asked to supervise the music for the film.

Some of the music had already been chosen, like Fred Neil’s Everybody’s Talkin‘, sung by Harry Nillson, but more, dramatic music was needed – something which was to become as famous as Everybody’s Talkin‘. A lonely harmonica tune that almost anyone could play.

The recording of the harmonica soundtrack with Toots Thielemans

John Barry said, “I wrote the harmonica theme, in which the counter melody is more important than the melody, giving a general repetitive feeling like going nowhere, to reflect the underbelly of New York. For the actual melody, I wanted something very unsophisticated, that any guy sitting outside a gas station in Texas could play. “

“We kept the instrumentation very simple, 12 string guitars, a rhythm section and the harmonica, so that the theme of Midnight Cowboy in the score would fit in with the musical language of the Nillson song.”

Toots Thielemans was living near New York at that time and his chromatic harmonica brought great tenderness and longing to the theme. He also can be heard on some of the re-recorded Nielsen pieces in the earlier part of the film. All the harmonica heard during the film is played by Toots.

The recording of the Film Music Album with Tommy Reilly

The commercial release of music from the film Midnight Cowboy is a bit more complicated. Eight of the twelve tracks on the sound track LP, called the Original Motion Picture Score released by United Artists Records (Liberty 1A 054-90639), were from the New York film soundtrack recordings, but the other four tracks, including Midnight Cowboy and Joe Buck rides again, were recorded in London in June 1969. This time the harmonica on Midnight Cowboy and Joe Buck rides again was played by Tommy Reilly. Any other harmonica heard on this album is by Toots.

The release of the single versions of the Midnight Cowboy Theme

Following the release of the LP soundtrack album, Toots and John Barry released a 7″ single (45rpm) of Midnight Cowboy on Columbia and Tommy Reilly and The John Scott Orchestra released a 7″ single (45rpm) version on Polydor.

Toots Thielemans and John Barry
Tommy Reilly and John Scott

These recordings show that it was Tommy’s idea to bend the notes in the main theme. Tommy always thought that that Toots was perfect for the movie and did a fantastic job.

The double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score

Much of this information comes from the CD notes of the excellent and comprehensive double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score“. [Quartet Records – QR434, MGM Records – QR434, Universal – QR434].

CD1 has the original LP tracks and some bonus tracks, including alternate versions of Toots playing Midnight Cowboy. CD2 has the music from the original film score. The CD booklet does not say Joe Buck rides again was played by Tommy Reilly.

Background to the John Barry recordings in London

Tommy Reilly’s manager, Sigmund Groven, added more background to the reason for the London re-recording of Midnight Cowboy. “John Barry had worked with Tommy several times before, including on the 1966 Marlon Brando film “The Chase” (soundtrack on CD: Varese Sarabande VSD-5229), and he wanted to feature Tommy in the Midnight Cowboy score.

As it happened Tommy was unavailable; he was on tour in Australia at the time, so John Barry asked Toots to play in the film. However, when Tommy was home after his Australian tour, John Barry was very pleased to be able to use him on the London sessions for the album.”

There are some great videos of Tommy and Toots playing Midnight Cowboy.

Toots plays Midnight Cowboy at 90 years old
Tommy Reilly plays Midnight Cowboy on Dutch TV

Extra Information.

1 – There are two recordings of the theme from Midnight Cowboy recorded by Toots Thielemans and John Barry after the release of the film. The commercial 45rpm version (above) has a “fattened” harmonica sound (flanger?) and the alternative take, which is also on the double CD, sounds like a straight mono recording.

2 – Popular concerts of John Barry’s music (including Midnight Cowboy and Dancing with Wolves) provided regular work for harmonica players. In the UK this has included Jim Hughes and Harry Pitch when Tommy Morgan could not make it from California. Phil Hopkins was once summoned to John Barry’s house in London as there were problems with Tommy Morgan’s UK visa.

Phil auditioned successfully and returned home to practice hard for the concert at the Albert Hall. Just before the performance he got a message that the visa had arrived and Tommy would do the gig. Phil got a cancellation fee and acknowledged that the audience got a better deal hearing Tommy Morgan play the harmonica themes.

3 – Shortly after the London recordings for the Midnight Cowboy soundtrack album Tommy had a telephone call from Polydor Hamburg where he had already made two commercially very successful albums with Kai Warner: Melody Fair and Latin Harmonica. He flew over the next day. They played him a recording from a new film score and asked him if he could play the harmonica exactly the same as the uncredited player on the LP.

The first take was perfect. The producer said: “You are a genius”, and Tommy started to laugh. The producer said: “What are you laughing for?” and Tommy admitted: “That’s me playing on the original record!” The single (Polydor NH 59323), with John Scott as musical director, and with Tommy credited this time (!), climbed the charts in many countries. (Sigmund Groven)

4 – Despite the success of the two recordings by Toots Thielemans and Tommy Reilly, the version recorded by two pianists, Ferrante & Teicher, was nominated for the 1969 Grammy in the category Best Contemporary Instrumental Performance. I don’t think John Barry was very pleased either.

Captain James Reilly, RMSM

Captain J. Reilly, R.M.S.M. (1886-1956)

Copyright – David Reilly

Captain Reilly was a conductor and taught trumpet at The Royal Military School of Music, Kneller Hall, London. Immediately after WW1, he moved to Canada to become the bandmaster of the 153rd Wellington Battalion Band that was stationed in Guelph. His son, Tommy Reilly, was born there in 1919. He set up a jazz and concert band for the military and then he took charge of the Elgin County Military band. In the late 1920s, James Reilly moved to the Elmdale Public School in St Thomas, Ontario. He was very successful and his orchestra, accordion and harmonica bands won many prizes – more here.

In the early 1930s, Captain Reilly wrote to Dr Meyer, who was head of Hohner (UK), asking if he could bring the Elmdale School harmonica band to play concerts in England. Unfortunately this was not possible.

Later, when Dr Meyer and Charles Millard were discussing setting up an organisation for harmonica players in the UK, which became “Harmonica Song Band League”, they realised that they needed a good musician who could write the necessary tutors, arrangements for bands, and supervise the training of groups which were being formed by Mr. Millard. They approached Captain Reilly about their plans for forming the National Harmonica Song Band League (HSB) and it was agreed that he was the man who could develop the musical side of it. History proved them right.

James Riley - The Right Way to Play Book

Capt. Reilly returned to the UK with his family and helped to get the new Hohner organisation going. He helped to arrange the music published by Francis Day & Hunter, he wrote the HSB Tutors, and arranged new pieces for the growing number of harmonica bands in the UK. Initially tremolo based bands but later chromatic harmonica bands. See end.

His son, Tommy Reilly, started playing harmonicaprofessionally aged 16 years.

When the British College of Accordionists (BCA) was started soon afterwards, he took a lively interest in this it too, building on his experience teaching the accordion in Canada. He also took on the training of the Junior Band of the B.C A. which very soon reached a remarkably high standard under his conductorship.

Captain James also wrote several highly successful elementary pieces like “Windsor March,” “Searchlight Tattoo.” etc., which found a ready sale amongst the many elementary bands springing up throughout the country.

When the B.C.A. set up examinations, they opened a number of Examination Centres, and Captain Reilly was appointed as one of the College Examiners, a role he carried out for many years.

After WW2, Captain Reilly was also appointed Sales Manager of the Hohner Musk Department. He persuaded a number of new composers to write for the accordion and the harmonica, and built up the largest Accordion and Harmonica Music Catalogue in this country.

As the popularity of the harmonica and accordion grew, he was much in demand as an adjudicator for Music Festivals all over the country. He also contributed a lot to the smooth running of the competition section of the annual “Accordion Day” festival.

In the early 1950s he started a Harmonica Staff Band for the Hohner Organisation He developed this into a successful orchestral group which gave many successful demonstrations and concerts.

Captain Reilly retired from Hohner in 1954, when he was a Vice President of the National Harmonica League (formerly the HSB). He died a year later.

He was probably responsible for teaching the majority of the harmonica players in the UK over his time with the HSB/NHL through the many tutors he wrote, the guidance he provided and the music he published.


This is based on an appreciation by Dr. O. Meyer, the MD of Hohner (UK), when Captain Reilly retired in 1955.


Tommy Reilly – A Life in Music – Vintage Tommy Reilly.

This is an extended version of the review that was published in the Aug/Sept 2019 issue of Harmonica World.

Cover from Tommy Reilly CD

Tommy Reilly – A Life in Music – Vintage Tommy Reilly.
Chandos CD2014
3 – CD Review by Cheng Jang Ming

Tommy Reilly is widely recognised as the master of the chromatic harmonica. He was born 100 years ago and he died 19 years ago. This collection of tracks was selected and lovingly assembled by his son David and Sigmund Groven. They have also written the extensive CD booklet covering his life and music. It is a great tribute to a unique virtuoso and giant of the chromatic harmonica.

Tommy learned violin and harmonica as a schoolboy in Canada. He started touring Europe at the age of 17, playing chromatic harmonica after his family returned to live in London. He was arrested in Leipzig in 1939 where he was studying violin and he was held in internment camps in Germany and Poland for the whole of the Second World War. The camps contained many other musicians and the imprisonment gave him the chance to practice and develop his approach to the harmonica. Being a violinist, he based his techniques on the playing of his idol, the violinist Jascha Heifetz. Tommy had access to food parcels from the Canadian Red Cross and he exchanged the coffee he received with a prison officer for Hohner harmonicas, a very precious instrument at that time. He managed to keep his violin all through the war, but it was stolen on the flight back to Britain at the end of the war in 1945.

Once he was back in London, he began to build a career playing harmonica in music halls and on the BBC.

The tracks range from his first recording, Deep Purple, made on his return to England in 1945, to his early 78rpms, and unreleased and commercial recordings made up to 1980. All the tracks have been carefully restored to bring them up modern standards.

There are tracks from Tommy’s many appearances on BBC Radio in the 1950s where he played classical music and standards. These led to 78rpm recordings on Parlophone where he was one of George Martin’s first artists. Together they employed new techniques such as echo and overdubbing on tracks like Bop! goes the Weasel and Dinah.

Tommy was a violinist in his youth and much of the inspiration for his harmonica playing came from studying Jascha Heifetz, I believe that although his instrument is harmonica, he still thinks like a violinist. You can hear his violinist style at play in his versions of Scarlatti’s Sonata, Sarasate’s Zigeunerweisen, Rachmaninoff’s Serenade, and in David Reilly’s Age of Innocence.

In fact, Zigeunerweisen is for advanced violinists, and in recent three decades several harmonica players have performed it in its entirety. But no matter how well they manage it, it always sounds to me like a tremendous effort from them. It would surprise many people that way back in 1953, Tommy Reilly had already conquered this song, not with great effort but with ease. He did it not by playing the entire work, but by picking the relevant parts. His version, rendered with impeccable ease, rhythm and vigour, truly sounds as fluid as a violin version.

Tommy’s own arrangements of El Cumbanchero, Jealousy, Begin the Beguine, The Breeze and I, are full of playfulness and ingenuity. These songs, in their original form, are rather easy ones for harmonica. But after being arranged by Tommy, they become advanced pieces for harmonica while still keeping their original lyrical flavours.

I first heard Gigue played by Tommy in one of his early videos. This is from Bach’s “Partita No. 3 in E major BWV 1006” for unaccompanied violin, a rather unusual piece to play on harmonica. The partita contains 6 pieces, the most famous one for harmonica players is Gavotte en Rondeau, made famous on harmonica by both Tommy Reilly and Larry Adler. They have their own arrangements (both transposed to key of C major). This Gigue is played by Tommy in the key of G major instead of the original E major. It is a very nice study piece for harmonica.

Voice from the Past, this is the first time I have heard this orchestra version. I really love this arrangement for harmonica accompanied by strings and guitar. It brings to me a deep sense of nostalgia. I couldn’t help it, I listened to it over and over again several times, as I consider this to be one of Tommy’s best performances.

I have the opportunity to listen to many old recordings of Tommy and also all his published CDs and many LPs. I actually prefer his vibrato from his early years, more intense, more violin-like. And this CD again confirms my feeling, because all tracks are from 1970 or earlier, except the last two.

The Red Flame is an original composition by Tommy. This song, and Hora Staccato, showcase his unmistakable throat staccato, so incredibly fast and yet distinctly clean. How on earth can anyone play throat staccato in octave at such high speed? He invented the Silver Concert harmonica only in 1967; I wonder how he could play so fluidly using those old 270 Super Chromonicas in the 1950s and 1960s.

Many of these recordings have not been easy to find in the past and I was pleased to be able to hear some old favourite again. The 30 tracks on this CD cover all the music styles Tommy is known for – classical pieces, popular music, Irish music, pieces written for harmonica, his own composition and arrangements and musical novelties.

This retrospective look back at Tommy’s recordings is a great introduction for anyone who is unfamiliar with his work, as well as providing some great listening for lovers of music everywhere.

In the CD booklet, Sigmund Groven provides very comprehensive background details on all the songs in this collection. Tommy’s son, David, also recalls his vivid memories of his father playing his harmonica. You will never regret reading their writings!

At £9.99, it is a real bargain. The tracks are available for streaming and as a download from Chandos .

You can hear Tommy speaking and playing in these interviews by the BBC.

Here is a musical tribute to Tommy Reilly

SPAH – The first 20 years

The Society for the Preservation and Advancement of the Harmonica, SPAH, was founded in 1963 by Earl Collins (1924-88), Gordon Mitchell (1927-2001) and Richard Harris (1938-2015). Fortunately, the youngest member of the trio, Richard Harris, was an enthusiastic photographer and recording engineer so you get a chance to hear the history of SPAH as it was happening.

This blog post is taken from a cassette tape of the soundtrack of a video that Richard made in 1983, from his vast archive of recordings, to celebrate the 20th Anniversary of SPAH. It is tribute to Richard Harris as well as SPAH. Richard was ahead of his time. Without his foresight and hard work this detailed audio history would not have been possible.

Here are Richard’s notes which accompanied the cassette he sent.

SPAH – The First 20-Years – featuring “THE HARMONICA MEN”, trio. Produced and narrated by: Richard Harris.
History of SPAH via music and the spoken word. Relive excerpts from the first SPAH meeting, Dec. 1962. Here the voice of founder Earl Collins, words of wisdom from harmonica greats like Tommy Reilly, Blackie Shackner. Remember firsts such as Richard Hayman’s Harmonica Concerto, April 1978, the first CanSPAH concert November 1965. And the radio and TV programs – a sampling includes the “I’ve Got A Secret” Show and the 8′ harmonica that stumped the panel. But, that’s history – history that will be remembered by early SPAH members and now 20 years later by you. All on a premium cassette in stereo (recorded 1983 converted to digital in 2018).

You can read more about the history of SPAH by visiting the excellent SPAH Archives webpage written by Manfred Wewers.

Tommy Reilly – In his own words

Tommy Reilly set the standard for playing chromatic harmonica and he was mainly responsible for the acceptance of the harmonica as a solo instrument on the classical stage. He had a prolific recording career. He was born in Canada in 1919 but spent most of his life in the UK.

Here Tommy talks about his musical life and plays some music on two BBC radio programmes – Music Weekly (Michael Oliver, 6 May, 1979), and Studio Portrait (Wilfred Parry (piano), 10 February, 1967).

Tommy’s silver chromatic harmonica was developed before the first radio programme in 1973 and after the second one in 1967.

Tracklist
1 – Music Weekly – Talking about the harmonica – Tommy Reilly
2 – Music – James Moody
3 – Talking playing the harmonica and repertoire – Tommy
4 – Villa Lobos Concerto for Harmonica – Tommy Reilly
5 – Talking about his Silver Harmonica – Tommy Reilly
6 – Parash’s Aria – Stravinsky
7 – Studio Portrait – Talking about composers – Tommy Reilly
8 – Caprice – Gordon Jacobs
9 – Scherzino – James Moody
10 – Talking harmonicas – Tommy Reilly
11 – Strawberry Fair – Leonard Morris
12 – Seventeen Come Sunday – Leonard Morris
13 – Talking history and harmonicas – Tommy Reilly
14 – Chanson Russe – Stravinsky
15 – Talking film music – Tommy Reilly
16 – Après un Rêve – Faurè
17 – Talking about Polish customs – Tomy Reilly
18 – Bulgarian Wedding Dance – James Moody