Tag: Chromatic Harmonica

Toots & me – Antonio Serano

Archie

I first met Toots Thielemans when I was only 17 years old, in Seville, during the World Exposition of 1992. My father and I had travelled there to hear and meet the great Toots Thielemans! I was beginning to get interested in jazz so I was really excited! We arranged to meet in the lobby of his hotel for a coffee and chat with Toots before the concert. The moment arrived and suddenly I was there sitting beside the genius of jazz harmonica. I felt the luckiest boy on earth.

I´m not sure what the conversation was about but after 10 minutes Toots said something I will never forget. He looked at me and said: Hey boy! you must be kidding if you think I´m going to let you play with me on stage like Larry Adler did! Imagine how I felt. For one second I was devastated.

Then he continued: Let´s see, what scale would you play on a Dmin7(b5) chord? I answered wrong not only because I was nervous but also because, to be honest, I had no clue of what Dmin7(b5) meant. My knowledge of harmony at that point was only about I IV V progressions. He stoped me and said: You still have to study a lot if you want to come up on stage with me. From that day on I started to take the study of harmony and improvisation seriously and I understood that playing the harmonica very well wasn´t enough if I wanted to play jazz.

I will always thank Toots for being so honest with me on a critical point of my career.

The rest is history…

Thank you Toots!!

This appeared in the October 2016 issue of Harmonica World as part of a special tribute to Toots.

Remembering Toots – Adam Glasser

Archie

I don’t remember when I first heard Toots Thielemans. He has always been part of my harmonica life. I was amazed particularly by his virtuosity on the album Man Bites Harmonica especially the tracks Don’t Be that Way and Scotch on the Rocks. His album with Bill Evans, Affinity has always been a reference especially his solo on Sno Peas, all the more miraculous to my ears since I tried improvising on those very difficult chord changes.
In January 1996 he agreed to be interviewed before a gig in Leiden, Netherlands. We met at his hotel and I spent a fascinating couple of hours questioning him about the chromatic harmonica. The interview was published later that year in Harmonica World.

About a year later I received a call to do my first orchestral session ever, depping for Toots on the film Hard Rain. He could not make the first morning’s recording and I was asked to fill his shoes. It was a terrifying experience walking into the legendary CTS studio in Wembley with dozens of other musicians. The title music featuring harmonica was first up and not easy! When Toots arrived he greeted me with a very warm hug remembering our conversation a year earlier.

The producers were impressed by this camaraderie and I was asked to stay on for the whole week of recording as adviser to the composer Christopher Young. It was particularly extraordinary to hear Toots play something absolutely fantastic over very difficult shifting atonal harmony. Toots had to leave before the final days recording so I played the remaining few cues myself and I earned a harmonica credit below Toots at the end of the film.

The last time I saw him was at the 2010 Cape Town International Jazz Festival. We met and talked at length the night before his superb gig on 3rd April which I attended. The sadness I feel at his passing still sits in my heart as I write.

This appeared in the October 2016 issue of Harmonica World as part of a special tribute to Toots.

Toots Theilemans Tribute – The Archivist

Archie

Jean Toots Thielemans: 29 April 1922 to 22 August 2016

I can say without hesitation that Toots is one of the greatest musicians of our time. On his instrument he ranks with the best that jazz has ever produced. He goes for the heart and makes you cry. We have worked together more times than I can count and he always keeps me coming back for more. Quincy Jones

Toots was a transcendental musician – if he had picked up any other instrument he would have been just as great. What was remarkable was that he was able to express the full range of musical ideas through the chromatic harmonica. He was playing music through the harmonica rather than playing the harmonica. Howard Levy

I feel best in that little space between a smile and a tear. Toots

Toots was born in Brussels, Belgium in 1922. He started playing a cheap accordion when he was three, but he took up the harmonica at sixteen after seeing Larry Adler in a film and realising what a harmonica could do. During the Second World War he heard a 78 recording of Louis Armstrong and his destiny was sealed.

His friends told him to get a real instrument. He was studying mathematics but he decided to become a jazz musician. He got to hear the local bands like Django Reinhardt and bought a guitar. He taught himself to play and soon got a reputation as a jazz player and after the war he joined a local band, Le Jazz Hot, where he got his nickname, Toots. He learned harmony through the guitar, which stood him in good stead when he played harmonica. Toots sat in at some New York jazz clubs when he made his first visit to the US in 1947, and he played with Charlie Parker in Paris.

In 1950, Benny Goodman asked him to join in his European tour which began at the Palladium in London in 1950. Toots moved to New York in 1951 and soon landed the guitarist’s seat in the George Shearing Quartet. He stayed for 6 years playing mainly guitar with some harmonica. In between gigs he was sitting in with some of the top bebop musicians. Toots recorded his first American jazz LPs in 1955/7, and the chromatic harmonica would never be the same again.

In 1957 Toots became an American citizen and he would divide his time between his Long Island and Brussels houses for the rest of his life. Toots also developed the art of whistling when playing guitar, and the original recording of his most famous composition, Bluesette, was done this way in 1962.

In the 60s Toots became a session musician and he began to be in demand for film music, something which lasted for most of his life. Toots moved more toward jazz in the 70s with appearances with Oscar Peterson, Jaco Pastorius and his landmark recording, Affinity, with Bill Evans in 1978.

Toots sufferred a stroke in 1982 which resticted his guitar playing. He had always suffered from athsma and he began to play more ballads. This suited his new style which used fewer notes, with the emphasis on melody and playing the lyrics of songs. In the latter years of his life, Toots toured with his quartet, usually with Kenny Werner or Fred Hersch on piano. He liked Brazilian music and produced two enjoyable CDs, The Brazilian Project.

Toots used Herbie Hancock as a pianist before Herbie was picked up by Miles Davis. Herbie returned the favour by setting up the two NY concerts which were held for Toots in Carnegie Hall, The Magic of Toots (2006) and The Lincoln Center, Toots 90th Birthday (2012) Toots developed a special musical friendship with Quincy Jones and they recorded film soundtracks and performed in festivals together on many occasions.

Toots was in great demand to play with top singers like Paul Simon, Ella Fitzgerald, Natalie Cole, and Billy Joel. He was the harmonica soloist for many filmscores such as, Midnight Cowboy, The Getaway, Sugarland Express, Cinderella Liberty, Turks Fruit, and Jean de Florette. Toots was cutting back on the demands of touring in his 80s and he finally retired in 2013 aged 91.

Hohner produced two harmonicas for Toots, the Hard Bopper and the Mellow Tone. Both are 3 octave and they are only available in C. The King of Belgium honoured Toots with the title Baron.in 2001. There are many videos on YouTube for anyone wanting to hear Toots. Toots recorded many LPs and CDs and these are available from record shops and online stores. These include two which provide a selection of Toots’ output from the late 40s to the present time, such as the Verve Jazz Masters 59 -Toots Thielemans, and Yesterday & Today from Universal Music BV.

This appeared in the October 2016 issue of Harmonica World as part of a special tribute to Toots.

Here are some great links to concerts and interviews with Toots on National Public radio in NY.

Franz Chmel – 1944 to 2016 – The Archivist

Archie

Franz Chmel was regarded by some as the best classical chromatic harmonica player. He was born on 26th February 1944 in St.Pölten, Austria. Franz started playing harmonica at the age of six and when he was 12 years old he founded the successful Piccolo Harmonica Trio with his elder brothers.

Franz Chmel
Franz Chmel

Between 1957 and 1965 he took many top three prizes as a soloist and group performer in National, European and World Harmonica Championships. Then in 1965 he suddenly stopped playing harmonica and went back to his work as an engineer…

In 1987 he made a comeback and immediately found success in festivals and competitions. He was well known in his home country, Austria, and he played at the Austrian Presidential inaugural ceremony. He toured Morocco and performed in Armenia, Germany, Switzerland France and Japan. He was also www.chmel.at invited to perform at the 5th Asia-Pacific Harmonica Festival in 2005 in Hong Kong.

Franz was a perfectionist and he practiced many hours a day to achieve what he knew to be possible. He worked hard on his technique and developed his distinctive tongue vibrato. His practice regime was breaking his harmonicas and so he set about developing his own design which would maintain their tuning and have longer lasting reeds. This resulted in the NC64. Only three were made. He played one and two more were sold. They were hand made and each one took over 200 hours to assemble and adjust for the performer. There is more on his website

His determination to become a master of technique and harmonica design led to him becoming involved with Michael Timler and HarpOnLine, where such things were discussed. Michael put on a concert in Ulm where Franz played with Howard Levy. Howard was impressed enough to invite Franz to join him and Joe Filisko for a very eclectic concert in Chicago, Harmonica Convergence, in 2006.

Franz’s musical success led to meetings with James Moody and some other composers who wrote music for him. Franz recorded five albums of Classical Music and his last recordings were with his latest harmonica, the NC64.

You can hear Franz play on his YouTube videos, many which he uploaded just before his death on August 18, 2016, aged 72. These videos show his phenomenal technique as well as many of the best known transcriptions of classical music for harmonica.

This was taken from the October 2016 issue of Harmonica World magazine.

Introduction to Blues on the Chromatic Harmonica by David Barrett

Archie

Here are some great examples of blues music played on the Chromatic Harmonica. They were put together by top educator and performer, David Barrett, who introduces each track, identifying the artist and indicating how it was played.

This playlist is taken from the third part of David’s series of articles about playing Blues Chromatic published in the NHL magazine, Harmonica World. David Barrett – www.bluesharmonica.com.

If you like what you hear, please press the “like” button and “share” it with your friends.

Over to you, David…

Introduction to Blues on the Chromatic Harmonica by David Barrett by The Archivist on Mixcloud

Track listing
1 – George “Harmonica” Smith – Blues in the Dark – 0:00
2 – George “Harmonica” Smith – Blues For Reverend King – 04:41
3 – George “Harmonica” Smith – Boogie’n with George – 09:45
4 – Little Walter – Fast Large One – 12:07
5 – Little Walter – Lights Out – 15:25
6 – Little Walter – Flying Saucer – 18:11
7 – William Clarke – Blowin’ Like Hell – 21:25
8 – Rod Piazza – Harpburn – 24:18
9 – Rick Estrin – Coastin’ Hank – 28:03
10 – Mark Hummel – Humble Bug – 34:38
11 – Paul deLay – Good Thing – 39:47
12 – Dennis Gruenling – Bluesmith – 44:45
13 – Mitch Kashmar – Crazy Mixed Up World – 55:00
14 – Gary Primich – The Briar Patch – 58:38
15 – Paul Oscher – Walkin’ – 63:10
16 – Steve Guyger – We’re Gonna Ride – 65:31
17 – Lynwood Slim – Oil Can Harry – 68:50
18 – Kim Wilson – Reel Eleven, Take One – 71:58
19 – Jean “Toots” Thielemans – Fundamental Frequency – 74:48
20 – Dave Barrett – Dark Night – 80:05

Discography
1) Blues in the Dark – (Blues Masters The Essential Collection, V4 Harmonica Classics, Rhino
2) Blues For Reverend King -(West Coast Down Home Harmonica, El Segundo
3) Boogie’n with George – (Now You Can Talk About Me, Blind Pig
4) Fast Large One – (The Essential Little Walter [Disc 1], Chess), C Chro in 3rd (D)
5) Lights Out -(Confessin’ the Blues, Chess)
6) Flying Saucer – (Blues With A Feelin’, Chess)
7) Blowin’ Like Hell – William Clarke (Blowin’ Like Hell, Alligator)
8) Harpburn – Rod Piazza (Harp Burn, Black Top)
9) Coastin’ Hank – Rick Estrin (That’s Big, Alligator)
10) Humble Bug – Mark Hummel (Harmonica Party, Mountain Top)
11) Good Thing – Paul deLay (The Last Of The Best, Criminal Records)
12) Bluesmith – Dennis Gruenling (History Of The Blues Harmonica Concert, Backbender)
13) Crazy Mixed Up World – Mitch Kashmar (Crazy Mixed Up World, Thumbs Up!!)
14) The Briar Patch – Gary Primich (Company Man, Black Top)
15) Walkin’ – Paul Oscher (Alone With The Blues, Electro-Fi)
16) We’re Gonna Ride – Steve Guyger (Past Life Blues, Severn)
17) Oil Can Harry – Lynwood Slim (Too Small To Dance, Big Rhythm Combo, Pacific Blues)
18) Reel Eleven, Take One – Kim Wilson (Tigerman, Antone’s)
19) Frequency by Jean “Toots” Thielemans (Legends Of Harmonica, Rhino
20) Dark Night -0 David Barret (It Takes Three)

Chromatic Harmonicas at Christmas

Archie

Seasonal Christmas music played by chromatic harmonica artists. Robert Bonfiglio, Sigmund Groven, Chris Bauer, Tommy Morgan, Jacob Venndt, Tommy Reilly and Charlie McCoy.

Track Listing for Chromatic Harmonicas at Christmas

1 – Robert Bonfiglio – Have Yourself a Merry, Merry Christmas – 00:00
2 – Tommy Morgan – Oh Come All Ye Faithful – 03:22
3 – Chris Bauer – Home for the Holidays – 05:08
4 – Charlie McCoy – Christmas Song – 08:44
5 – Sigmund Groven – Glade Yul – 11:31
6 – Robert Bonfiglio – I’ll be Home for Christmas – 14:38
7 – Jacob Venndt – Christmas Medley – 19:02
8 – Chris Bauer – Christmas time is here – 21:43
9 – Tommy Morgan – Oh Little Town of Bethlehem – 25:36
12 – Sigmund Groven – Gloria – 29:32
11 – Robert Bonfiglio – Christmas Meditation – 32:39
12 – Tommy Reilly – Ave Maria – 35:41

Major Chromatic Harmonica Soloists.

Archie

Four soloists were mainly responsible for rise in the popularity of the chromatic harmonica in the 1930s, 40s and 50s – Larry Adler, John Sebastian, Ronald Chesney and Tommy Reilly. They were all entertainers and the music they played came from musical shows, classical music and folk music. This programme is introduced by Larry Adler and it contains examples of the music they all recorded on 78rpm records.

There were other performers and they will be featured on future broadcasts.

Major Chromatic Harmonica Soloists.

1 , Ruth Etting , If I could be with you , 0:00
2 , Larry Adler , Smoke gets in your eyes , 0:30
3 , John Sebastian , Ritual Fire Dance , 4:00
4 , Ronald Chesney , Whispering/Margie , 7:15
5 , Tommy Reilly , Can anyone explain, Autumn Leaves , 10:17
6 , Larry Adler, Claire de Lune , 13:15
7 , John Sebastian , Maiden with the Flaxen Hair ,  16:20
8 , Ronald Chesney , Fantasie Impromptu , 18:20
9 , Tommy Reilly , Traumerie , 21:35
10 , Larry Adler , Body and Soul , 24:00
11 , John Sebastian , Malaguena , 27:07
12 , Ronald Chesney , Volare , 30:36
13 , Tommy Reilly , Jealousy , 32:57
14 , Larry Adler , Bolero , 35:40
15 , John Sebastian , The Harmonica Player , 39:08
16 , Ronald Chesney , The Flight of the Bumble Bee , 40:49
17 , Tommy Reilly , Hora Staccato , 42:57