Gerry Ezard – chromatic harmonica player and teacher

Gerry Ezard as a friend and organiser

A personal tribute from Roger Trobridge – former Chairman of HarmonicaUK.

Gerry was living in London as a child and studied accordion at the Hohner run, “British College of Accordionists“. He preferred harmonica and ended up being very successful in the National Harmonica League (NHL) UK Championships in the 1950s.

This led to him being asked to join the Morton Fraser Harmonica Gang, a professional variety act. Gerry decided it was not what he wanted and after his National Service he established a business in his beloved Wales.

It was a big success and when he retired, he left it to his family and returned to the harmonica.

Gerry demonstrating the chromatic harmonica

This was about the time I took over as Chairman of the National Harmonica League (now HarmonicaUK) in October 2000. We met up through the forum on my website and he immediately joined the committee, where his business and musical experience was invaluable.

Gerry was very involved with the transfer of the annual festival to the Folk House in Bristol in 2001.Ben Hewlett was teaching a blues class for musicians there and he thought it would be a great venue.

He took a back seat around 2010 but continued to support the Chromatic Weekend festival which he had set up in 2006.

Gerry had other interests and he became leader of the Mid Glamorgan Accordion Band, still playing his chromatic harmonica. He also enjoyed writing and the research that went into it. When we met up earlier this year he was about to visit Scotland to check out the background for his latest novel.

You can learn out more from Gerry himself in this 60 mins video based on a talk he gave to the Porthcawl U3A about his life as a harmonica player entitled “Remember when you got your first harmonica“.

Gerry Ezard, performer, musician and author

Gerry has recorded two CDS, (“Just My Stuff” and “More of My Stuff”) and is also an author (Gerald Ezard) of a self produced book, “Mar$”, available through Amazon.

When Gerry performed on stage he would always dress for the occasion. It was part of the performance. His playing was of the highest standard, something he tried to pass on to anyone wishing to learn. From the time he joined the NHL in 2001, he ran workshops on all aspects of playing the chromatic harmonica. In 2006 he set up the Chromatic Weekend Festival, in Birmingham, along with Steve Dooley, which resulted in an increased awareness and uptake of the chromatic harmonica.

Gerry was always happy on stage and would always have something to say. As the following examples will show, he loved to act out stories, often in the style of the characters from the stories of Mickey Spillane and Damon Runyon – gumshoes, gangsters and gamblers. Like Larry Adler – no opportunity was missed to make it a better story.

with apologies to
Mickey Spilane

Harmonica World
Dec-Jan 2005

It was quiet, too quiet, when I crossed the reception at Jurys. The blond behind the desk wasn’t giving anything away through those baby blue peepers.

The lights were low and the noise of the gang drowned out the background music when I hit the bar. Wheels sat in his usual place eyeing the crowd, Babs, his doll, glanced up as I sashayed in hoping they wouldn’t notice the bulge of cold metal under my armpit.

I knew something was going down, but as long as it wasn’t me in a cement overcoat I was too tired to
care. I flung myself into a chair in the shadows. They were all there – Babyface Jamie, Fast Eddie, and
Fingers Lee and his Ma, Lady C.

Lady C slid the paper over to Wheels and his eyes narrowed as he glanced it over. ‘Hey Jamie, you handle this stuff?’ he breathed. Babyface sidled over, casual like, and the bar went silent as he slowly pulled out a silver 48. Yeah, “Wheels”, he nodded, ‘I can fix it’. Everyone’s hands were in the open, I kept mine there too, and smiled like I knew too much.

Wheels raked the room with his eyes, nobody looked up, ‘Any of youse guys ready to roll’ he queried. The question hung in the air like a harmonic minor. The dame nodded ‘I’m in’ she drawled, ‘Me too’ added Fast Eddie, both producing mean looking 48s.

I shrunk into the shadows but it was too late, Wheels fixed me with his eyes. A long moment passed, ‘You’re in Pops’, he announced, and I knew there was no backing out. I was glad I’d packed my big 56 because this little number was going to be a doozy.

Then Fingers began to tinkle the ivories and Wheels began to play. Lady C narrowed her eyes and joined in with Babyface alongside. Me, I was with Fast Eddie, and we all watched each other to see what went down.

Well it went something like that after the festival concert, when, at 1am in Jurys lounge, five chromatic players. Carol Axford, Gerry Ezard, Jamie Dolan, Eddie Ong and Douglas Tate played Bach’s Double Violin Concerto, with Lee Axford at the piano. The bar was still crowded with hotel guests, and there were a few surprised looks as the elegant music silenced the conversation.

It was one of those magic moments, and Douglas, with his wife Barbara at his side, had somehow managed to raise us all from our post festival day stupor to enjoy playing Bach in the early hours of the morning.

I’m glad I was there. We will remember Douglas by playing this again one day.

Gerry (Pops) Ezard

Repeat performance at Douglas Tate’s Memorial Service (21 April 2006)

Here is a video of a repeat performance of the music that was played in the bar at Jurys Hotel in Bristol, on that Saturday night. Again Gerry Ezard is the narrator and a performer alongside Colin Mort, Philip Achille, Eddie Ong and Jamie Dolan. The 9 mins recording is taken from Douglas Tate’s Memorial service in Olney Parish Church, which added its own reverb to the chromatic harmonicas.

Gerry Ezard in Concert

Gerry played in many NHL/HarmonicaUK concerts and Chromatic Weekends. He loved the film music and Light Music of his youth. Here he plays two arrangements by Tommy Reilly from the Festival Concert in 2011 and also demonstrates his sartorial elegance.

Tribute from HarmonicaUK

It was with sadness and heavy hearts that we learned of Gerry’s passing. Everyone who had the pleasure of meeting him will miss him greatly.

Gerry played a major role in rebuilding HarmonicaUK and the teaching and promotion of his beloved chromatic harmonica.

A professional performer on stage – off stage he was warm and generous with an impish sense of humour.

The Gerry Ezard Royal National Lifeboat Institution (RNLI) Tribute Fund

There is a Gerry Ezard – Forever By the Sea Tribute Fund page for donations. Gerry was an avid Royal National Lifeboat Institution (RNLI) supporter. He loved life aboard his boat. Our first meeting was through a link to his Moonraker boat club.

Tommy Reilly Discography 4 Music Library

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Tommy Reilly, David Reilly and James Moody recorded a large amount of music to be used as incidental or background music (Music Library or Production Music).
Some of the tracks were selected and used as theme music for TV and Radio shows such as The Navy Lark (Trade Wind Hornpipe) and the 1968 Children’s Adventure Weekly on the BBC and the Canadian Children’s programme Bobino (Double March).
A series of alias were used for the composer’s name including Max Martin and Dwight Barker.Some of the early music was released on 78 rpm recordings but most were released later as LPs along with some later compositions.
Solo Harmonica with Guitar Accompaniment – Conroy Recorded Music Library, Berry Music, BLMP 088 – Composers: D & T Reilly. Tommy Reilly, harmonica, David Reilly, guitar. Side A: Knights and Dragons; Morning Ride; Children’s Fountain; Canals and Bridges; Sad Waltz; Moaning Bird; Bistro; Bossa Petite; The Daylight Song. Side B: Thingamajig; Bicycle Bill; Dream Day; Once upon a Time; Almost Mozart; Ha Harmonica; Boy Soldier; Grass Roots; Cantina.
Each track is typically 1 to 2.5 mins.
Harmonica – Conroy Recorded Music Library, Berry Music, BMLP 160 (1976) – Composer: D Barker. – Side A: Sophisticated Party; Wind in her hair; Trade Wind Hornpipe; Child’s Play; Hurry, Hurry; Pins and Needles; Night Out; Shooting the Rapids; Alley Cat; Mirabelle; Closing Tab 1; Closing Tab 2; Crown and Anchor; Beauty Queen; Evening Stroll; Keep it Steady; Jaunty Joe; Conjuring Trick; Gangway; Capstan Hornpipe; Liberty Special; Double March; Rolling Stone; Saucy Jack; Tall Story; Cocked Hat, Deck Games. Side B: Criss Cross; Royal Jester; Highway; Fly by Night; Follow Through; Top Dog; Easy Going; Smartie; Caught Out; Flip Flap; Ridin’ Herd; Whistling Star; Cricket on th Spree; Alpine Echoes; Downlown Blues; Another Spring; More Haste; Pay Off; River Queen; Blue Dawn; Lost Patrol; Blue Sails; Roundabout Romance.
Each track is typically 30-60 seconds in length.
They came from earlier recordings – Side A: BM 118 (1958) (1/5), BM 201 (1559)-(6/18), BM 251 (1960 (19-27) – solo harmonica and small orchestral accompaniment – Side B: BM 252 (1960) (1-11), BM 253(1960) (12-18), BM 254 (1960) (19-23) – harmonica with rhythm accompaniment.
There was another 78rpm issued – BM 126 (1958): Side A – Montmarte Mood – Rolling Along: Side B – Grim Jim, Suspense in Crime, Stealthy Criminal.BM 254B (1960): Yokohama Holiday is a Dwight Barker composition but no harmonica. BM 255 (1960): Side A was written by Dwight Barker but it has no harmonica.
Harmonica Moods – Boosey and Hawkes Library Music, SBH 3091 – Composer: David Holland. Soloist: Tommy Reilly, Harmonica. Side A: The Hamelin Piper; The Lady of the Lake; Ghost Town; Irish Navy Run; Slow Gold; Objets d’art. Side B: Oliver’s Theme; Florintina; Texas Trail; Languid Lady; Thru’ the Rockies; Convolution.
Each track is typically 2-3 mins seconds in length. Harmonica solos, duets and harmonica/guitar.

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Tommy Reilly Discography 3 CDs

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Serenade – Chandos – CHAN 8486 – Bulgarian Wedding Dance (Moody), Pavane Op. 50 (Faure), Romance (Faure), Norwegian Dance no. 2 (Grieg), Adagietto (George Martin), Aviator (David Reilly), Serenade (Tommy Reilly), Sonata (Handel, arr. Moody), Au bord de l‘eau (Faure), Bruyeres (Debussy), On Wings of Song (Mendelssohn), My Lagan Love (trad., arr. Tommy Reilly), Two Beatle Girls (Lennon-McCartney, Martin) – with the Academy of St. Martin-in-the Fields Chamber Ensemble – (1986)
Tommy Reilly and Skaila Kanga Play British Folk-Songs – Chandos – CHAN 8559 – Skye Boat Song, Early One Morning, Blow the Wind Southerly, Scarboro‘ Fair, Londonderry Air, Trotting to the Fair, Drink to me only, Kathleen Mavoureen, Morning has broken, The Lark in the Clear Air, Cherry Ripe, Ash Grove, David of the White Rock, Keel Row, Ye Banks and Braes, Endearing Young Charms, Dashing away with the Smoothing Iron, My Love is like a Red, Red Rose, She moved thro‘ the Fair, The Rising of the Lark – with Skaila Kanga, Harp – (1987)
Works for Harmonica and Orchestra – Chandos – CHAN 8617 – Romance (Ralph Vaughan Williams), Concertino (Vilem Tausky), Little Suite (James Moody), Five Pieces (Gordon Jacob) – with the Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – originally on the Argo label (ZRG 856) – (1988)
Thanks for the memory – Chandos – CHAN 8645 – Over the Rainbow (Arlen), Medley: There‘s a Small Hotel (Rodgers-Hart), Once in a While (Green-Edwards), A Pretty Girl is like a Melody (Berlin), I‘ll Follow my Secret – Heart (Coward), In a Sentimental Mood (Ellington), Medley: A Nightingale Sang in Berkeley Square (Sherwin- Maschwitz), Dancing on the Ceiling (Rodgers-Hart), Love is the Sweetest Thing (Noble), Misty (Garner), Medley: Goodnight Vienna (May), I am Getting Sentimental over You (Bassman), The Way you Look Tonight (Kern), Sweet and Lovely (Arnheim-Tobias-Lemare), Medley: When you Wish upon a Star (Harline-Washington), Because I Love You (Berlin), I‘m a Dreamer (DeSylva-Brown- Henderson), Smoke gets in Your Eyes (Kern), Medley: A Room with a View (Coward), Tenderly (Lawrence-Grosz), The Breeze and I (Lecuona), Thanks for the Memory (Rainger-Robin), Medley: Getting to Know You (Rodgers-Hammerstein), September Song (Weill-Anderson), Someday I‘ll Find You (Coward), Body and Soul (Green), Medley: One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin) – with James Moody, piano – (1988)
Tommy Reilly, Skaila Kanga, harp, Hindar Quartet – Chandos – CHAN 8802 – Divertimento for harmonica and string quartet (Gordon Jacob), Suite dans le style francais (James Moody), Quintet for harmonica and string quartet (James Moody) – with the Hindar Quartet und Skaila Kanga, harp – originally released in 1975 on the Argo label (ZDA 206) and in 1981 on the Philips label (9500 997)- 1990
Serenade, vol 2 – Chandos – CHAN 6568 – Spanish Dance No.2 (Moszkowski), Siciliano (Bach), Ballet Music from „Faust“ (Gounod), Aria from „Bachianas Brasileiras“ no.5 (Villa-Lobos), La Fille aux Cheveux de Lin (Debussy), Allegro (Fiocco), Gymnopedie no.1 (Satie), Gavotte en Rondeau (Bach, arr. Reilly), The Fog is Lifting from the Play „The Mother“ (Nielsen), Pizzicato from „Sylvia“ (Delibes), Meditation de Thäis (Massenet), Merrily-Go-Round (Kanga), Estrellita (Ponce), Eastern Motif (Kanga), Gavotte from „Mignon“(Thomas), Ave Maria (Bach-Gounod), Elegy (Fisher), Sleepy Shores (Pearson), Song in the Night (Salzedo), Canzonetta (Kanga), Valsentino (Reilly), Cavatina (Myers) – with Skaila Kanga, harp – (1992)
Tommy Reilly Plays Harmonica Concertos and Virtuoso Works – Chandos – CHAN 9248 – Concerto for Harmonica and Orchestra (Michael Spivakovsky) – with the Münchner Rundfunkorchester, cond. Charles Gerhardt – Concerto for Harmonica and Orchestra (Malcolm Arnold) – with the Basel Radio Sinfonieorchester, cond. Cedric Dumont – Concerto for Harmonica and Orchestra (Heitor Villa-Lobos) – with the Rundfunkorchester des Südwestfunks, cond. Emmerich Smola – Toledo, Spanish Fantasy for Harmonica and Orchestra (James Moody) – with the Münchner Rundfunkorchester, cond. Robert Farnon – Prelude and Dance for Harmonica and Orchestra (Robert Farnon) – with Robert Farnon and his orchestra – (1993)
Classique Nostalgie: Harmonica Recital – London (Japan) – POCL-3683 – Waltz in D-flat Major, op. 64 no.1 (Chopin), Jasmin (Hazell), Popular Song (Walton), Air and Rondo (Händel), Fair Maid of Perth (Bizet), Cancion y Danza (Mompou), Italien Dance (Dring), The Swan (Saint-Saens), Humoresque (Reizenstein), Chanson Russe (Stravinsky), Sonatine (Scarlatti), Gymnopedie no. 1 (Satie), Trotting to the Fair, (trad., arr. Moody), Sonatina (Saunders) – – with James Moody, piano, and Skaila Kanga, harp – it is a Japanese release of “Harmonica Recital“, Argo ZK 55 – (1994)
Tommy Reilly – Classic People (Korea) – CPCD-07 – Scarborough Fair (trad., arr. Kanga), Kathleen Mavoureen (trad., arr. Moody), David of the White Rock (trad., arr. Kanga), Pavane (Fauré, arr. Langford), Norwegian Dance no.2 (Grieg, arr. Langford), On Wings of Song (Mendelssohn, arr. Langford), One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin), In a Sentimental Mood (Ellington), Concertino for Harmonica and Orchestra: 1st Movement (Vilem Tausky), Little Suite for Harmonica and Orchestra: Cantilena (James Moody), Harmonica Quintet: 3rd Movement (James Moody) – with Skaila Kanga, harp, Academy of St. Martin-in-the- Fields Chamber Ensemble, James Moody, piano, Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – (1995)
Harmonica Parisien – Sterndale Records STE 3461 – La Vie en Rose (Louiguy-Piaf), Plaisir d‘amour (Martini), Sous le ciel de Paris (Giraud-Brun), Quand je reviendrai (Rey), J‘attendrai (Olivieri, Rastelli, Poterat), Clopin Clopant (Coquatrix-Dudan-Goell), Les feuilles mortes (Kosma-Prevert), Moulin Rouge (Auric-Larue), La Ronde de L‘Amour (Straus-Ducreux), Hymne à L‘Amour (Monnot-Piaf), Le Mer (Trenet-Lasry), Les trois cloches (Villard), Valsentino (T. Reilly), Shadow Valse (Dubois), Le Grisbi (Wiener-Lanjean-Parsons), Un Homme et une Femme (Lai-Barouh), Loin du Bal (Gillet), La Mattchiche (Borel-Briolette-Lelievre), Poupée Valsante (Poldini-Kreisler), Objet d‘art (Holland), Berceuse (Fauré), I‘ll remember today (Piaf-Engvick), La Petite Tonkinoise (Scotto-Christine) – Title 1-12: Tommy Reilly and his orchestra, the remaining: with different accompaniments – (1999)
A Life in Music (Vintage Tommy Reilly) – Chandos – CHAN 20143 – Zigeunerweisen (Pablo de Sarasate), Sonata. L 338. KK450 (Domenico Scarlatti), Gigue from Partita no. 3. BWV 1006 (Johann Sebastian Bach), Serenade (Serge Rachmaninoff), Age of Innocence (David Reilly / Robert Farnon). Italian Dance (Madeleine Dring), Spanish Dance No. 2 (Moritz Moszkowski), Voice from the Past (Tommy Reilly/James Moody), Firebrand (Alan Langford), Deep Purple (Peter de Rose), Dance of the Comedians (Bedrich Smetana), Overture to ‘Le Nozze di Figaro’ (Wolfgang Amadeus Mozart), Midnight in Mayfair (Newell Chase), Cumbanchero (Rafael Hernandez Marín), Jealousy (Jacob Gade), Dinah (Sam M. Lewis/Joe Young/Harry Aksi), Bop! Goes the Weasel (Jack Bentley/Reginald Owen), Firefly (Donald Phillips), Begin the Beguine (Cole Porter), Gin ginger (Bobby Young), No limit (Tommy Reilly/Bobby Young), Bulgarian Wedding Dance (James Moody), Hora Staccato (Grigoras Dinicu/Jascha Heifeizi), 18th Century Rock (Jimmy Leach), Irish Medley (traditional), The Breeze and I (Ernesto Lecuona), Le Grisbi (Jean Wiener), The Red Flame (Tommy Reilly/Maurice Arnold), Waltz. Op. 64 No. I (Minute Waltz’ (Fryderyk Franciszek Chopin), Golden Girl (Tommy Reilly/James Moody)
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Featured artist recording and DVDs

Midnight Cowboy (Barry) – Polydor – NH 59323 – with John Scott and his orchestra – (1969)
Valdres March (Hanssen, arr. Richards),
Memories (D. Reilly-Durham) – Polydor – 2052 001 – (1969)
The Music of Robert Farnon – Polydor – 2382 008 – Prelude and Dance for Harmonica and Orchestra, with Robert Farnon and his orchestra. Also on the Baby Grand label (SE 1047) – (1971)
Quand je reviendrai (Rey), Les Trois Cloches (Villard) – Decca – FR 13274 – Tommy Reilly and his orchestra – (1971)
The Entertainer (Joplin), Turkey Trot (M. Martin) – Polydor – 2052 101 – with Kaare Ørnung, piano – (1974)
Bing Crosby reading Tom Sawyer by Mark Twain – Argo – ZSW 561-3 – with music, written by David Reilly and played by Tommy Reilly, David Reilly, Billy Bell and Chris Hazell – 1976
Flåklypa Grand Prix (film soundtrack) – Polydor – 2382 066 – Music by Bent Fabricius-Bjerre and played by Tommy Reilly – (1976)
Tarka the Otter (Film-Soundtrack) – Argo – ZSW 613 – Music by David Fanshawe, played by Tommy Reilly and his ensemble – (1979)
Winnetou Melodien – Teldec – 6.24965 AS – Old Shatterhand-Melodie, Apanatschi, Winnetou Melodie, Grand Canyon-Melodie, Chinla-River-Song (Böttcher) – with the Münchner Rundfunkorchester, conducted by Martin Böttcher – also on CD – (1981)
Siesta – SCD 15069 – GRCD 4140 – CD by Sigmund Groven with Tommy Reilly as guest: Serenade, aus dem Trio D-Dur, op. 8 no. 1 (Beethoven, arr. Moody-Bjerkestrand) with Sigmund Groven, 2nd Harmonica, Ivar Anton Waagaard, piano, and Kjetil Bjerkestrand, synthesizer – (1993)
Bernard Herrmann: “Night Digger” – Scenario Macabre for Orchestra (Filmmusik) – X (Australia) – LXCD 12 – with Sessions of London, conducted by Bernard Herrmann – (1994)
André Gagnon: Romantique – Star (Canada) – STR-CD-8057 – Le pianiste envolé (Gagnon) – – with the National Philharmonic Orchestra, cond. John Coleman – (1994)
Concerto for Harmonica and Orchestra, op. 46 (Malcolm Arnold) – BBC Radio Classics – BBCRD 9103 – “Walton, Grainger, Smetana, Borodin, Arnold” – with the BBC Concert Orchestra, cond. Henry Krips – (1995)
Serenade for unaccompanied Harmonica (Tommy Reilly) – BBC Radio – BBCRD 9115 – “Walton, Arnold, Farnon, Coates“- (1995)
The Navy Lark: Trade Wind Hornpipe (James Moody- Tommy Reilly), 
The Grove Family: Family Joke (Erik Spear) – EMI Premier – 7243 83499625 – “Vintage Themes from British Radio, Television & the Newsreels” – with Orchestra, conducted by James Moody and Eric Spear – (1996)
I godt lag – Sonet – SCD 15102, later Grappa – GRCD 4142 – CD by Sigmund Groven with Tommy Reilly as guest: Duettino (Fried Walter), with Sigmund Groven, 2nd harmonica, and the Berliner Rundfunkorchester, conducted by Fried Walter – Three Irish Airs (trad., arr. James Moody) – with Sigmund Groven, 2nd harmonica, and Kaare Ørnung, piano – (1996)
This information is taken from a range of sources including our own collection and the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, produced with the help of Sigmund Groven.

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Tommy Reilly Discography 2 LPs/33rpm

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The Life of Reilly – World Sound- T 541 – Irish Traditionals: The Humours of Limerick, Thady‘s Wattle, St. Patrick‘s Day, The Irish Washerwomen, The Meeting of the Waters, The Rakes of Kildare, Dumph‘s Hornpipe, Coming through the Field, Castle of Dromore, Killarney, Tatler Jack Welsh, Kathleen Mavoureen, The Gentle Maiden, The Minors of Wicklow, The Mug of Brown Ale, The Last Rose of Summer, Snowy Breasted Pearl, The Showman‘s Fancy, The Fairy Reel, Love Thee Dearest, Maggie Morrissey, The Green Fields of Erin, Lark in the Clear Air, The Rakes of Mallow, My Lagan Love, Go to the Devil, Old Women, Black Thorn Stick – with James Moody and his players – (1965)
Chromonica Rallye mit Tommy Reilly Concorde – ORL-ST 5002 – Cobra – FLLP 207 – The Peanut Vendor (Simon), Midnight Party (Haensch), Sinfonie (Alstone), Flirt in Rio (Reilly-Arnold), No Time (Rundle-Morris), Esmeralda (Rundle-Morris), Piccolino (Berlin), Acapulco Holiday (Martin), To pass the time (Fruth), In the dusk (Jojic), Colonel Bogey (Alford), Tokyo (Rundle-Morris) – with The Continentals – (1967)
Colours of my Life – Polydor – 236 507 – Paper-hearted Friend (D. Reilly-Durham), If it‘s a Game (D. Reilly-Durham), Slavonic Patrol (Martin), Can‘t make up my mind (D. Reilly-Durham), Bachanalia (Moody), Colours of my Life (D. Reilly-Durham), The Night Knows All (Gert), Badinerie (Bach), Chanson Russe (Stravinsky), In the Evening (Trad., arr. E. Groven), Seventeen Come Sunday (Trad., arr. Morris), Strawberry Fair (Trad., arr. Morris), One Summer Day (Richards), Berceuse (Faure) – with the Hindar Quartet, rhythm group and Johan Ųian, piano – (1968)
Tommy Reilly Harmonica Course – Hohner – FP 1969 – with two LP discs or a cassette. Reissued privately 2006
Melody Fair – Polydor – 222 002 – Angelin is always Friday (Woodley-Paxton), What a wonderful World (Weiss-Douglas), Lead on Light (D. Reilly-Durham), Yours to the end (arr. W. Last), Canadian Sunset (Heywood), Melody Fair (Farnon), La Source (Dijan-Faure-Bonnet), Kiss me goodby (Reed-Mason), The Legend of Xanadu (Howard-Blaikley), A Man without Love (Livraghi-Panzeri-Pace), My First Dance (W. Last-Loose), Tomorrow is far away (W. Last-Bader) – with the Kai Warner singers and orchestra – (1969)
Latin Harmonica – Polydor – 2418 021 – 2 The Pearlfishers (Bizet), Cumana (Allen-Spina-Hillmann), Beso triste (Steffanowski), The man who stood (D. Reilly), Baiao cacula (Gennari-Tedesco), Ba-tu-ca-da (Alfonso-Trinidade), Poinciana (Simon), Quando, quando (Renis), Serenata (Anderson-Parish), Pueblo Bossa (W. Last), Golden Earrings (Young-Livingston-Evans), If it‘s all the same to you (D. Reilly) – with Kai Warner and his orchestra – (1970)
The Harmonica of Tommy Reilly – Polydor – 2382 002 – Sonata in g-minor (Scarlatti), Drink to me only with thine eyes (Trad., arr. Moody), Gavotte en Rondeau (Bach), Gigue (Bach), Serenade (Rachmaninoff), Age of Innocence (D. Reilly-Farnon), Bulgarian Wedding Dance (Moody), Italian Dance (Dring), Voice from the Past (T. Reilly-Moody), Spanish Dance (Moszkowski), My World for Love (D. Reilly-Moody), Caprice (Duck), Firebrand (Langford) – with Kaare Ųrnung, piano, and string quartet – (1971)Wand‘rin‘ Star – Polydor – 2384 029 – I‘m an old cowhand (Mercer), This river flows to New Orleans (D. Reilly), Ragtime Cowboy Joe (Muir- Abraham-Clarke), Streets of Laredo (arr. D. Reilly), Don‘t fence me in (Porter), Birmingham Jail (arr. D.Reilly), The Big Country (Moross), Wand‘rin‘ Star (Loewe-Lerner), Yellow Rose of Texas (arr. D. Reilly), Red River Valley (arr. D. Reilly), Beautiful Brown Eyes (Wynne-James), Riverboat Queen (D. Reilly), Buttons and Bows (Livingston-Evans) – 1971)
Tommy Reilly Plays Fried Walter – Apollo – AS 1008 – The Adventures of Corporal Smith – Cascade – Duettino*, Arabesque – Ballade and Tarantella (alle von Fried Walter) – with the Berlin Studio Players, conducted by Fried Walter and *Sigmund Groven, harmonica) – (1971)
Harmonica Parisien – Polydor – 2382 016, 2922 053, 2484 044 – La Vie en Rose (Louiguy), Plaisir d‘amour (Martini), Sous le ciel de Paris (Giraud-Brun), Quand je reviendrai (Rey), J‘attendrai (Olivieri-Rastelli-Poterat), Clopin Clopant (Coquatrix-Dudan-Goell), Les feuilles mortes (Kosma-Prevert), Moulin Rouge (Auric-Larue), La Ronde de L‘Amour (Straus-Ducreux), Hymne a L‘Amour (Monnot-Piaf), La Mer (Trenet-Lasry), Les Trois Cloches (Villard) – Tommy Reilly and his orchestra – also on the Philips label (6382 062) – (1972)
Warm Latin Sounds – Philips – 6382 081 – Sunshine of my Life (Wonder), Wave (Jobim), Baubles, bangles and beads – (Wright-Forrest), Triste (Jobim), Corcovado (Jobim), Light my Fire (TheDoors), Girl from Ipanema (Jobim-de Moraes), It‘s Impossible (Manzanero), Desafinado (Jobim), The Secret (Rey), Shadow of your Smile (Mandel-Webster), Brazil (Barroso) – Tommy Reilly and his orchestra – (1975)
The Silver Sound of the Harmonica – ARGO ZDA 206 – Divertimento for harmonica and string quartet (Gordon Jacob), Suite dans le style francais (James Moody), Quintet for harmonica and string quartet (James Moody) – with the Hindar Quartet und Skaila Kanga, harp – also released in 1981 on the Philips label (9500 997)- 1975
Music for two harmonicas – Polydor – 2922 008 – Seventeen-Seventy-One (James Moody), Tźte-ą-Tźte (Robert Farnon), Introduction and Galop (Gordon Jacob), A Summer Romance (Grųttum), Invention (Max Saunders), Bohemian Carnival (Vilem Tausky), The Rose of Telemark (Tommy Reilly-Sigmund Groven-David Reilly), Love Theme from Tom Sawyer (David Reilly-Tommy Reilly), Blow, Silver Wind (Sigmund Groven-Erik Bye), Valsentino (Tommy Reilly), Sicilian Interlude (James Moody), Window of the World (David Reilly) – with Sigmund Groven, harmonica, Armon String Quartet, Skaila Kanga, harp, David Reilly, guitar, Frank Clarke, bass, Russ Stableford, bass (1976)
Works for Harmonica and Orchestra – Argo – ZRG 856 – with the Academy of St. Martin-in-the-Fields, directed by Neville Marriner – Little Suite (James Moody), Five Pieces (Gordon Jacob), Concertino (Vilem Tausky), Romance (Ralph Vaughan Williams) – (1977)Harmonica Recital – Argo – ZK 55 – Waltz in D-flat Major, op.64 no.1 (Chopin), Jasmin (Hazell), Popular Song (Walton), Air and Rondo (Händel), Fair Maid of Perth (Bizet), Cancion y Danza (Mompou), Italian Dance (Dring), The Swan (Saint-Saens), Humoresque (Reizenstein), Chanson Russe (Stravinsky), Sonatine (Scarlatti), Gymnopedie (Satie), Trotting to the Fair (arr. Moody), Sonatina (Saunders) – with James Moody, piano, und Skaila Kanga, harp – (1978)
Tommy Reilly Plays Villa Lobos Harmonica Concerto – Argo – ZRG 905 – Harmonica Concerto (Villa-Lobos), Harmonica Concerto (Malcolm Arnold), Harmonica Concerto (Arthur Benjamin) – with the London Sinfonietta, conducted by David Atherton – (1979)
Romantic Melodies – Philips – 9500 997 – Ave Maria (Bach-Gonoud), Ballet Music from “Faust“ (Gounod), Bachianas Brasileiras No. 5 (Villa-Lobos), Eastern Motif (Skaila Kanga), Cavatina (Myers), Gavotte from “Mignon“ (Thomas), Siciliano (Bach), Suite dans le style francais (Moody) – with Skaila Kanga, harp – (1981)
Tommy Reilly und Pluche – Nova-Zembla NZR 85001 – Valencia (Padilla), Falling in Love Again (Hollaender), Loin du Ball (Gillet), Over the Rainbow (Arlen), Poupee Valsante (Poldini), Romance op. 97 (Shostakovitch), Golden Girl (Martin), La Petite Tonkinoise (Scotto), Drink to me only with thine eyes (trad., arr. Morris), Georgian Rumba (Slaney), Smoke gets in your eyes (Kern), Believe me if all those endearing young charms (trad., arr. Morris), La Mattchiche (Borel-Clerc), Sunshine Rag (Martin) – arranged by James Moody – with the Pluche Salon Orchestra – (1985)
Serenade – Chandos – ABRD 1202 – Bulgarian Wedding Dance (Moody), Pavane Op. 50 (Faure), Romance (Faure), Norwegian Dance no. 2 (Grieg), Adagietto (George Martin), Aviator (David Reilly), Serenade (Tommy Reilly), Sonata (Handel, arr. Moody), Au bord de l‘eau (Faure), Bruyeres (Debussy), On Wings of Song (Mendelssohn), My Lagan Love (trad., arr. Tommy Reilly), Two Beatle Girls (Lennon-McCartney, Martin) – with the Academy of St. Martin-in-the Fields Chamber Ensemble – (1986)
Tommy Reilly and Skaila Kanga Play British Folk-Songs – Chandos – LBRD 017 – Skye Boat Song, Early One Morning, Blow the Wind Southerly, Scarboro‘ Fair, Londonderry Air, Trotting to the Fair, Drink to me only, Kathleen Mavoureen, Morning has broken, The Lark in the Clear Air, Cherry Ripe, Ash Grove, David of the White Rock, Keel Row, Ye Banks and Braes, Endearing Young Charms, Dashing away with the Smoothing Iron, My Love is like a Red, Red Rose, She moved thro‘ the Fair, The Rising of the Lark – arranged by Skaila Kanga – with Skaila Kanga, Harp – (1987)
Works for Harmonica and Orchestra – Chandos – ABRD 1306 – Romance (Ralph Vaughan Williams), Concertino (Vilem Tausky), Little Suite (James Moody), Five Pieces (Gordon Jacob) – with the Academy of St. Martin-in-the-Fields, conducted by Sir Neville Marriner – originally (1977) Works for Harmonca and Orchestra – Argo – ZRG 856 – (1988)
Thanks for the memory – Chandos – LBRD 020 – Over the Rainbow (Arlen), Medley: There‘s a Small Hotel (Rodgers-Hart), Once in a While (Green-Edwards), A Pretty Girl is like a Melody (Berlin), I‘ll Follow my Secret Heart (Coward), In a Sentimental Mood (Ellington), Medley: A Nightingale Sang in Berkeley Square (Sherwin- Maschwitz), Dancing on the Ceiling (Rodgers-Hart), Love is the Sweetest Thing (Noble), Misty (Garner), Medley: Goodnight Vienna (May), I am Getting Sentimental over You (Bassman), The Way you Look Tonight (Kern), Sweet and Lovely (Arnheim-Tobias-Lemare), Medley: When you Wish upon a Star (Harline-Washington), Because I Love You (Berlin), I‘m a Dreamer (DeSylva-Brown- Henderson), Smoke gets in Your Eyes (Kern), Medley: A Room with a View (Coward), Tenderly (Lawrence-Grosz), The Breeze and I (Lecuona), Thanks for the Memory (Rainger-Robin), Medley: Getting to Know You (Rodgers-Hammerstein), September Song (Weill-Anderson), Someday I‘ll Find You (Coward), Body and Soul (Green), Medley: One Night of Love (Schertzinger), The Very Thought of You (Noble), Love Walked In (Gershwin) – with James Moody, piano – (1988)
This information is taken from a range of sources including our own collection and the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, produced with the help of Sigmund Groven.

Return to Tommy Reilly Retrospective page

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Tommy Reilly Discography 1 78/45rpm

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Parlophone – R 3354 – Medley – Side One: I didn‘t slip, I wasn‘t pushed, I fell, Who‘ll be the next one to cry over you, Bibbidi-bobbidi-boo – Side Two: Can anyone explain, You‘re heartless, Autumn Leaves – (1951)
Parlophone – R 3364 – El Cumbanchero (Hernandez), Midnight in Mayfair (Chase)
also on the Odeon label – ND 7028 – (1951)
Parlophone – R 3389 – The Saturday Waltz (Johanson), Capricious (Harding)- (1951)
Parlophone – R 3415 – Cuban Holiday (Phillips), Teddy Bears‘ Picnic (Bratton) – (1951)
Parlophone – R 3444 – Ciribiribin on the Mandolin (Hoffman, Corday, Carr), So Deep My Love (Stone-Drake-Shirl) – (1951)
Parlophone – R 3458 – Jealousy (Gade), Laura (Raksin)- (1951)
– all the above recordings were with the Vic Hammett Quartet
Hohner Nr.1 – Londonderry Air (Irish Trad., arr. Tommy Reilly), Träumerei (Schumann)- (1951)
Hohner Nr. 2 – Minuet (Boccherini), Badinerie (Bach) – (1951)
both singles with Adela Kotowska, piano
Parlophone – R 3511 – Melody on the Move (Richardson), Parade of the Tin Soldiers (Jessel) – (1952)
Parlophone – R 3524 – Dinah (Lewis, Young, Akst), That old black Magic (Arlen, Mercer) – (1952)
Parlophone – R 3560 – Martinique (Warren), Toy Trumpet (Scott) – (1952)
all singles with the Vic Hammett Quartet
Parlophone – R 3598 – Bop! goes the Weasel (Bentley, Owen) – – with the Vic Hammett Quartet – Side Two – Sonny Terry – Hootin’ Blues – (1953)
Parlophone – R 3645 – Lazy Cowboy (Guthrie), Limping Man Theme from the film Street of Shadows (Spear) – with orchestra, conducted by Eric Spear – (1953)
Parlophone – R 3693 – Strictly Personal (Spear), Theme from The Night of the Fourth (May) – with orchestra, conducted by Eric Spear – (1953)
Parlophone – R 3860 – Family Joke (Spear), High Horse (Spear) – with orchestra, conducted by Eric Spear – (1954)
Parlophone – R 3924 – Rip van Twinkle (Nelson), The High and the Mighty (Tiomkin) – with the Ernie Bragg Quintet. also on the Odeon label (ND 7243) – (1954)
Nixa – NMEP 33 – Firefly (Phillips), Stormy Weather (Arlen), Begin the Beguine (Porter), Blue Moon (Rodgers) – with Reinhold Svensson and his Quartet – also on the Metronome label (MEP 24021)- (1954)
Oriole – CB 1316 – Rififi (Paris by Night) – (Larue, Gerard, Fishman) – with the Maple-Leaf Four and the Ted Astley Band – (1956)
Oriole – CB 1329 – Theme from The Intimate Stranger (Trevor Duncan), Side Two: Lonnie Donegan, The Passing Stranger – with Johnny Gregory and his orchestra – (1956)
Oriole – CB 1426 – An Ordinary Copper from Dixon of Dock Green (Darnell, Warner), On the way up (Burnaby, Mainwaring) – with the Johnny Gregory orchestra – a Jack Warner song – (1958)
Fontana label – H 104 – Barnacle Bill‘s Hornpipe (Addison), Count five and die (Wooldridge) – with Mike Sammes Singers and the Johnny Gregory Orchestra – (1958)
Hohner – T 4007 – The Navy Lark, The Sailing Valse, Before The Breeze, Hoopla (Reilly, Moody) – music from the film not the BBC Radio show – with James Moody, piano, and rhythm group – (1960)
Hohner – T 7003 – Chromonica – Swiss Merry-go-round (Reilly), A la Francaise (Martin), No Limit (Young), Bulgarian Wedding Dance (Moody) – with James Moody, piano, and rhythm group – (1960)
Decca – F 11490 – My Lost Love (Sherman) – with the Ivor Raymonde Orchestra – (1960)
RCA – RD 27175 – Dale Robertson Presents Western Classics – Wells Fargo Theme (Thompson), Take me back to my boots and saddle (Samuels, Whitcup, Powell), Ole faithful (Carr, Kennedy), The old Chisholm Trail (arr. McPhail), – with Roland Shaw and his orchestra – also on the RCA label (LPM 2158) – (1960)
Tivoli – 43008 – The New Sound of Tommy Reilly – College Girl, Blue Violets, Far, Fortune‘s Favourite – (1960)
Tivoli – 43009 – The Virtuosity of Tommy Reilly, Never, Days of Yearning, Lotus, Someday Soon – both singles with orchestra, conducted by Bob Hueting – (1960)
Tivoli – 62030 – Bavarian Woodpecker (Martin), Umbala (Martin) – with ensemble, conducted by Coen van Orsow – (1960)
Philips – PN 1094 – Theme from The Sundowners (Tiomkin), Down under (Tiomkin)- with Wally Stott and his orchestra – (1960)
Philips – BBE 12413 – Harmonica Magic – Down under (Tiomkin), Theme from The Sundowners (Tiomkin), Yokohama Holiday (Barker), The Green Leaves of Summer (Tiomkin) – with Wally Stott and his orchestra – (1961)
Philips – BF 326 543 – Blow, Man, Blow (Reilly, Warren), No Dice (Reilly, Warren) – (1962)
Philips – PB 1248 – So Little Time (Tiomkin), Moon Fire (Tiomkin), both from the film 55 Days at Peking – with the Ivor Raymonde choir and orchestra – (1963)
Oriole – CB 1833 – Dakota (Alan), S.O.S (Alan) – Tommy Reilly and The Tradesmen – (1963)
Polydor – NH 66808 Paper-hearted Friend (D. Reilly-Durham), Colours of my Life (D. Reilly-Durham) – (1967)
Polydor – NH 59323 – Midnight Cowboy (Barry) – with John Scott and his orchestra – (1969)
Polydor – 2052 001 – Valdres March (Hanssen, arr. Richards), Memories (D. Reilly-Durham) – (1969)
This information is taken from a range of sources including my own collection, the extensive listing in Uwe Warschkow’s excellent book Harmonica Lessons with Tommy Reilly, and produced with the help of Sigmund Groven.

Return to Tommy Reilly Retrospective page

Christmas Music played by top harmonica players

Harmonica players of all styles have recorded many great renditions of seasonal Christmas music. Here are some collections of music played on many types of harmonica.

Chromatic Harmonicas at Christmas – Seasonal Christmas music played by chromatic harmonica artists. Robert Bonfiglio, Sigmund Groven, Chris Bauer, Tommy Morgan, Jacob Venndt, Tommy Reilly and Charlie McCoy.

Blues Harps at Christmas – Blues harmonica players and their bands performing songs about Christmas. Carey Bell, Paul Oscher, Paul Butterfield, Sonny Boy Williamson II, Little Charlie and the Nightcats, G Love, Sonny Boy Williamson, Canned Heat, Richard Sleigh, Eddie C Campbell, Mark Doyle and the Maniacs.

Harmonica Groups at Christmas – Seasonal Christmas music played by Harmonica Groups – chromatic, chord and bass harmonicas – The Harmonica Men, The New Don Les Harmonicats, Harmonicas International (James Hughes/Rob Janssen), Chris Bauer, Charlie McCoy and Pete Pedersen.

Jazzy Harmonica Arrangements at Christmas – Arrangements of Seasonal Christmas Music featuring harmonica players, Toots Thielemans, Jason Keene, Stevie Wonder, Tommy Morgan, Norton Buffalo, Rob Paparozzi, Tollack Ollestad and Chris Bauer.

Harmonica Christmas Stocking Fillers – This extra Collection is made up of contributions sent in by artists like Will Galison, Madcat Ruth, Mike Caldwell, A J Fedor… and recordings that did not quite make it into the earlier Collections. As the title suggests, it covers many styles and even a bit of tremolo. It should have a few surprises just like a Christmas stocking for a harmonica lover. Stay with it to the end – variety is the spice of life.

Filip Jers in the UK and HarmonicaUK 2024

Filip Jers is one of the top harmonica soloists. He flew into the UK in October 2024 and stayed with us, near London, before we travelled up to the HarmonicUK annual festival on 25-27 October in Birmingham. On the way back we visited Jim Hughes.

I have been lucky enough to host many artists on the way to the NHL/HarmonicaUK festivals, helped by our proximity to to Heathrow and a spare bedroom now that the children have flown the nest.

After picking up Filip from Heathrow, we stopped off for some traditional food – fish, chips, mushy peas and curry sauce, before he was introduced to the Harmonica Hotel (spare bedroom) made famous by Rob Paparozzi on his Facebook page.

Next morning we drove to Hillscourt and spent three days with an enthusiastic group of harmonica players where Filip presented workshops and played a fantastic set in the Saturday Concert. The festival photographs are by Pippa Phillips.

On the return home I took Filip to meet the ‘legendary’ Jim Hughes – chromatic soloist, teacher of World Champions and writer of the best tuition book for Chromatic Harmonica. Jim is 95, has lost his sight and housebound but still playing – formerly a sight reader he has taught himself to play by ear. They talked for two hours about technical aspects of playing and practising, and played music together. They were separated by 60 years in time but were united in mutual respect and their love for making music.

If you are interested you can enjoy the meeting by watching a video of the visit. I split it into two parts for convenience – before and after our pause for a coffee.

Part One – Filip Jers meets Jim Hughes Part One
Part Two – Filip Jers meets Jim Hughes Part Two

The journey home in the dark was tiring but it was another chance to talk about music and musicians.

After looking at some guitar records in my music archive (Charlie Byrd – House of the Rising Sun) and a good night’s rest, Filip headed back to Heathrow Airport and his flight back to his family in Sweden.


You can see a video of a similar visit I made to see Jim Hughes with Rob Paparozzi in 2023 by following this link – Jim Hughes and Rob Paparozzi talk and play

Here is the story of the Harmonica Hotel and Rob Paparozzi’s enforced stay in the UK.
http://www.the-archivist.co.uk/harmonica-hotel/

Larry Adler harmonica videos 1972 and 2000

Here are some videos I have restored or edited showing Larry Adler at the peak of his ability in 1971 and also from his final year in 2000/2001.

1971 – “Playing the Thing

In 1971 Chris Morphet created his harmonica film “Playing the Thing” and this included visiting Larry Adler at his flat in Brighton (UK) where he was interviewed and recorded playing several pieces of music. Some of the footage was included in “Playing the Thing” but most of it was lost on the editing floor. I recovered most of the out-takes and reconstructed the original full interview and performances. Here are the resulting videos. The quality is not perfect as some of the 16 mm film was damaged or missing and was from different sources.

Interview  https://vimeo.com/987579664

Malaguena – https://vimeo.com/987579584

Gavotte – https://vimeo.com/987579649

Smoke gets in your eyes – https://vimeo.com/987579604

Genevieve – https://vimeo.com/987579631

The full story of my continuing reconstruction of “Playing the Thing” with the interviews with Larry Adler, Sonny Terry, Cham’ber Huang, James Cotton, Bill Dicey, Andy Paskas, The Herold Trio, Hohner ….. can be found on the Playing the Thing” website.

The website also has a video of the original film, “Playing the Thing“, which was released in 1972.

2000-2001 – Larry Adler’s final years

Here are some other videos from Larry’s last year before his death in 2001.

One is from his appearance at the Millennium Festival in Bournemouth (UK) in 2000 organised by John Walton and the IHO.

The others are from his last days when he secretly left his hospital bed to play in the Albert Hall, and the tribute concert held a few months after his death.

You can watch these on my blog page – The final years of Larry Adler (1914-2001)

Gianluca Littera – Chromatic Harmonica Teacher and Performer

Gianluca Littera was born in Rome in 1962. He graduated in Viola in 1985 at the G. Rossini Conservatory of Music in Pesaro, and afterwards he performed with many famous orchestras and conductors.

Whilst playing the Viola, he heard Toots Thieleman playing the chromatic harmonica and became fascinated by its sound and potential.

In the following years he taught himself to play the instrument, as there was no agreed way or didactic path dedicated to it.

He went on to perform as a classical soloist as well as leading his own jazz ensembles.

Following extensive research, consulting libraries, archives and contacting publishing houses, Gianluca Littera became aware of the existence of a large repertoire of music written for harmonica. Due to the absence of any educational path for the training of players, much of it has never been performed except on rare occasions in concert by the few players who have dedicated themselves to it.

These works include composers such as: Villa Lobos, Darius Milhaud, Malcom Arnold, Arthur Benjamin, Graham Wettham, Michael Spivakovsky, Robert Farnon, Alan Hovhaness, Paul Patterson, Gordon Jacob, Vilem Tauski, Vaughan Williams, Henri Sauguet…

In 1996, Gianluca recorded the Villa Lobos Concert for Harmonica and Orchestra with the Gran Canaria Philharmonic Orchestra conducted by Maestro Adrian Leaper.

Since then, his career has grown exponentially. Gianluca Littera has played as a soloist with numerous orchestras all over the world, inluding the Orchestra of the National Academy of Santa Cecilia in Rome, both in concert and in recording projects with Maestro M.W. Chung. He has performed many new works for harmonica including a work by Ennio Morricone.

In the Jazz field, he has worked with international artists such as Ute Lemper, Ivan Lins, and Eugenio Toussaint. He has toured internationally and appeared at the Shanghai Jazz Festival in China, Erl Festival (Austria), Edinburgh, Belfast etc…

In addition to his concert activity, Gianluca Littera is the author of various compositions that he has performed with numerous orchestras. In 2007 he released the CD “Sconcertango” with the chamber group “Ensemble Project”, with compositions and arrangements mainly by him.

Starting in 2014 he held harmonica courses for several years at the Conservatory of Rome Santa Cecilia and the Conservatory of Frosinone and Vibo Valentia.

In 2019 he submitted an application to the Ministry of Education – with the support of the director of the Conservatory of Rome, maestro Roberto Giuliani – for a three-year university degree for the study of the harmonica, an instrument that had been absent from the Conservatory. It was accepted and marks the official recognition of the harmonica, putting it on a par with other musical instruments. You can read more about the degree course here.

In addition to his specific teaching activities, he has taken part in academic conferences and meetings where he was able to illustrate the technical and expressive possibilities of the harmonica, the literature and history of the instrument.

The prestigious Japanese harmonica manufacturer, Suzuki, commissioned a series of 11 video tutorials in English by Gianluca on the correct approach to playing the instrument. These videos, made by Gianluca Littera, can be viewed on Suzuki’s YouTube Channel.

He has also written two books which are the backbone of the lectures and workshops used by his harmonica students and those who are interested in the instrument – 70 exercises for Chromatic Harmonica from basic to Intermediate / advanced level and Theoretical and Practical Treatise for Chromatic Harmonica.

He has also recorded many CDs.

Here is a video about his recent CD – A Breath Between the Strings (Music by Gordon Jacob, James Moody and Tony Kinsey)

Here is his Facebook page

You can read more about the degree course and how to apply on my blog page about it.

Chromatic Harmonica Degree Course – Gianluca Littera

Most musical instruments can be studied, and performances can be graded from beginners through to degree level. Unfortunately, the harmonica is not one of them. I have reviewed some previous attempts in a separate blog.

Recently I became aware of a new university degree course for the chromatic harmonica which has been developed by Gianluca Littera at the Conservatory of Santa Cecilia in Rome. This looks very impressive and much more comprehensive than anything else I have come across. I had the help of Gianandrea Pasquinelli as a translator to help my understanding of what Gianluca had done.

Gianluca was born in Rome in 1962 and gained his music degree in 1985 as a viola player. He worked and toured with many orchestras before embracing the chromatic harmonica after seeing Toots Thielemans on TV. His recording career started in 1996 and he has played with many symphony orchestras as well as forming his own jazz groups.

Gianluca Littera

Gianluca organised free harmonica courses for six years before deciding to develop them further. He joined the Conservatory of Santa Cecilia in Rome as a lecturer in 2022 after successfully submitting the degree course for recognition by the Italian Ministry of Education.

You can read more about Gianluca Littera here.

What follows is in his own words.

Gianandrea Pasquinelli

The Creation of the Harmonica Degree Course.

The Free Course

I wanted to share what I had learned with other players, hoping that they would share the pleasure I experienced while playing the harmonica.

It was difficult to gain acceptance for the chromatic harmonica in a traditional Music College. Fortunately, I had a degree as a viola player and so I was accepted. This allowed me to introduce the harmonica, which was not even considered an instrument at that time.

I started with six years of free courses (2014-20) at Conservatories around Rome. These classes were a real success, attracting students and arousing a lot of curiosity and interest.

Students performed in concerts with musicians from other courses and also attended seminars on the physiology of breathing when playing wind instruments.

These activities were necessary to get full acceptance for the harmonica and the creation of the three-year Academic degree course (Triennio).

The Degree Course

The complete educational path lasts 8 years and leads to a degree (like a violin or a piano). A qualification recognized throughout Europe.

  • the three-year Preparatory course followed by
  • the three-year course (Triennium) and
  • the two-year course (Biennium).

The Italian Ministry of Education has approved the three-year Preparatory course followed by the three-year course (Triennium) which leads to a degree. The next step will be the approval of the two-year course (Biennium) which would lead to a second degree or Masters.

I created the study plan, entrance exams, course work exams and graduation exams etc., based on those developed for other musical instruments, both in terms of duration and level of difficulty.

This residential course includes the different subjects and knowledge that the student must acquire. The harmonica is the topic. For the practical / technical part we mainly use my book 70 exercises for Chromatic Harmonica from basic to Intermediate / advanced level while for the workshops /lectures we use as a reference another text of mine Theoretical and Practical Treatise for Chromatic Harmonica.

In addition to the harmonica, some other topics are studied: solfeggio, the history of music, harmonic analysis, chamber music, choral singing, and knowledge of relevant legislation etc…

These skills combine to train, not only a harmonica player, but, more importantly, a musician with all the necessary tools to enter the professional world, and, if he wishes, to teach others.

The chromatic harmonica is one of the instruments which leads to a music degree.

Here are links to music to be studied and lectures for the three-year course (Triennium) for harmonica.

The current status of the course

There are 3 stages.

  • The three-year Preparatory course can be accessed without an entrance exam.
  • To access the three-year course (Triennium) it is necessary to pass an entrance exam and to know solfeggio (read music).
  • To access the two-year course (Biennium), when it opens, it will be necessary to have completed a three-year degree course and an entrance exam with the harmonica.

These courses started in February 2022 and currently there are 12 students, distributed between the Preparatory and Triennium courses. Some come from outside Italy (France and Switzerland).

In October 2022, the students enrolled in the Preparatory path will prepare to take the entrance exam for the three-year course and the other students will make the transition from the 1st to the 2nd year of the three-year course.

The Future

One of the most rewarding aspects of teaching was discovering that it enriches not only the pupil but also the teacher. Furthermore, many of the pupils who were already playing when they entered the course had no idea what it meant to study in a conservatory. The opportunities offered to them have meant that their musical boundaries were enormously enriched, something that gives me, as a teacher, lots of satisfaction to see a student grow and develop.

In the future I foresee harmonica classes like mine in other Conservatories. I want to get the harmonica the recognition that has always been missing! Since 1992, when the accordion entered the Conservatory, no other instrument has since been recognized as such. I am happy to have succeeded first of all to give the harmonica the dignity it deserves, and also, to pass on at least some of what this instrument has given me which has enriched me musically and personally.

Finally, the harmonica now has an officially recognized course of workshops, lessons and lectures. In Italy we wrote a piece of the history of this instrument, and it was the piece that was missing. Perhaps we have not yet fully understood the scope of what we have achieved at the Santa Cecilia Conservatory.

I believe that other Institutes will take this result as an example and will do the same. At the Santa Cecilia Conservatory in Rome, we have opened and indicated the way. Everyone can access an educational path that provides the opportunity to register or take an exam according to their own level. Then advance from the Preparatory for those starting or the Triennium for those who already play and then the Biennium.

For more information you can contact me, Gianluca Littera