Here are some videos I have restored or edited showing Larry Adler at the peak of his ability in 1971 and also from his final year in 2000/2001.
1971 – “Playing the Thing“
In 1971 Chris Morphet created his harmonica film “Playing the Thing” and this included visiting Larry Adler at his flat in Brighton (UK) where he was interviewed and recorded playing several pieces of music. Some of the footage was included in “Playing the Thing” but most of it was lost on the editing floor. I recovered most of the out-takes and reconstructed the original full interview and performances. Here are the resulting videos. The quality is not perfect as some of the 16 mm film was damaged or missing and was from different sources.
The full story of my continuing reconstruction of “Playing the Thing” with the interviews with Larry Adler, Sonny Terry, Cham’ber Huang, James Cotton, Bill Dicey, Andy Paskas, The Herold Trio, Hohner ….. can be found on the “Playing the Thing” website.
The website also has a video of the original film, “Playing the Thing“, which was released in 1972.
2000-2001 – Larry Adler’s final years
Here are some other videos from Larry’s last year before his death in 2001.
One is from his appearance at the Millennium Festival in Bournemouth (UK) in 2000 organised by John Walton and the IHO.
The others are from his last days when he secretly left his hospital bed to play in the Albert Hall, and the tribute concert held a few months after his death.
I love to hear the harmonica adding some atmosphere to a film or TV show. Unfortunately the musician who plays the music is rarely credited.
The Alabama 3
I was watching an episode of a series on Channel 5 (British TV) called Finders Keepers and there in the background was that harmonica sound. I checked the website and wrote to the producer and he told me the music was by the Alabama 3, a group from Brixton, in London. Feeling pleased with myself, I watched the program again and saw that their name was on the opening credits…
I visited the Alabama 3 website and found out more about their harmonica player, Nick Reynolds.
Nick Reynolds
Nick was born in London in 1962 and his first band was in the Royal Navy in1979. In 1983, whilst serving in Navy Intelligence in Whitehall, he played with the reformed 60’s group The Pretty Things until 1985 when he went to Australia. On his return to London in 1989 he played in a series of groups – Les Grandes Branleurs, Backstreet Band, the Brit-pop band Octopus, and the experimental electro jazz band Blowpipe before becoming part of the Alabama 3 in 2001. There are more than 3 members and they don’t come from Alabama.
Woke up this morning
Alabama 3 were a new band to me and we don’t have any TV subscription channels. This may explain why when I started looking at their recordings I was unaware of the world wide fame they had achieved when their recording of Woke up this morning was used for the opening credits of The Sopranos. The bluesy rap song with influences from Howlin’ Wolf, Mississippi Fred McDowell and Muddy Waters.
From The Sopranos to The Simpsons
I went off in search of news of The Sopranos and found some great videos and parodies of the opening credits to the TV show.
The Sopranos opening credits
The Simpsons Parody
Alabama 3 in concert
Here are two performances of Woke up this morning by Alabama 3. The first one live in concert and a second small group acoustic one with more of Nick on harmonica.
Woke up this morning – Belladrum 2023
Work up this morning – Cigar Box Sessions 2015
More on Nick Reynolds, harmonica player, writer, sculptor, artist, composer and producer here.
The theme from Midnight Cowboy is one of the best known pieces of music played on harmonica.
This is the version from the Soundtrack Album of John Barry’s music for the Jerome Hellman – John Schlesinger film Midnight Cowboy.
Everyone knows who played it, don’t they… It was Toots, wasn’t it???
I stumbled over this question when someone told me it wasn’t Toots Thielemans, it was the British harmonica soloist, Tommy Reilly. It turned out to be more complicated than this.
The making of Midnight Cowboy
John Schlesinger began filming Midnight Cowboy in Florida, Texas and New York in 1968 and during 6 months of post production he realised that he needs some contemporary music for the film. John Barry had written music for Bond films and had also been involved with the UK popular music scene in the 60s as the leader of the John Barry Seven, and an arranger for pop singers, so he was asked to supervise the music for the film.
Some of the music had already been chosen, like Fred Neil’s Everybody’s Talkin‘, sung by Harry Nillson, but more, dramatic music was needed – something which was to become as famous as Everybody’s Talkin‘. A lonely harmonica tune that almost anyone could play.
The recording of the harmonica soundtrack with Toots Thielemans
John Barry said, “I wrote the harmonica theme, in which the counter melody is more important than the melody, giving a general repetitive feeling like going nowhere, to reflect the underbelly of New York. For the actual melody, I wanted something very unsophisticated, that any guy sitting outside a gas station in Texas could play. “
“We kept the instrumentation very simple, 12 string guitars, a rhythm section and the harmonica, so that the theme of Midnight Cowboy in the score would fit in with the musical language of the Nillson song.”
Toots Thielemans was living near New York at that time and his chromatic harmonica brought great tenderness and longing to the theme. He also can be heard on some of the re-recorded Nielsen pieces in the earlier part of the film. All the harmonica heard during the film is played by Toots.
The recording of the Film Music Album with Tommy Reilly
The commercial release of music from the film Midnight Cowboy is a bit more complicated. Eight of the twelve tracks on the sound track LP, called the Original Motion Picture Score released by United Artists Records (Liberty 1A 054-90639), were from the New York film soundtrack recordings, but the other four tracks, including Midnight Cowboy and Joe Buck rides again, were recorded in London in June 1969. This time the harmonica on Midnight Cowboy and Joe Buck rides again was played by Tommy Reilly. Any other harmonica heard on this album is by Toots.
The release of the single versions of the Midnight Cowboy Theme
Following the release of the LP soundtrack album, Toots and John Barry released a 7″ single (45rpm) of Midnight Cowboy on Columbia and Tommy Reilly and The John Scott Orchestra released a 7″ single (45rpm) version on Polydor.
Toots Thielemans and John Barry
Tommy Reilly and John Scott
These recordings show that it was Tommy’s idea to bend the notes in the main theme. Tommy always thought that that Toots was perfect for the movie and did a fantastic job.
The double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score“
Much of this information comes from the CD notes of the excellent and comprehensive double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score“. [Quartet Records – QR434, MGM Records – QR434, Universal – QR434].
CD1 has the original LP tracks and some bonus tracks, including alternate versions of Toots playing Midnight Cowboy. CD2 has the music from the original film score. The CD booklet does not say Joe Buck rides again was played by Tommy Reilly.
Background to the John Barry recordings in London
Tommy Reilly’s manager, Sigmund Groven, added more background to the reason for the London re-recording of Midnight Cowboy. “John Barry had worked with Tommy several times before, including on the 1966 Marlon Brando film “The Chase” (soundtrack on CD: Varese Sarabande VSD-5229), and he wanted to feature Tommy in the Midnight Cowboy score.
As it happened Tommy was unavailable; he was on tour in Australia at the time, so John Barry asked Toots to play in the film. However, when Tommy was home after his Australian tour, John Barry was very pleased to be able to use him on the London sessions for the album.”
There are some great videos of Tommy and Toots playing Midnight Cowboy.
Toots plays Midnight Cowboy at 90 years old
Tommy Reilly plays Midnight Cowboy on Dutch TV
Extra Information.
1 – There are two recordings of the theme from Midnight Cowboy recorded by Toots Thielemans and John Barry after the release of the film. The commercial 45rpm version (above) has a “fattened” harmonica sound (flanger?) and the alternative take, which is also on the double CD, sounds like a straight mono recording.
2 – Popular concerts of John Barry’s music (including Midnight Cowboy and Dancing with Wolves) provided regular work for harmonica players. In the UK this has included Jim Hughes and Harry Pitch when Tommy Morgan could not make it from California. Phil Hopkins was once summoned to John Barry’s house in London as there were problems with Tommy Morgan’s UK visa.
Phil auditioned successfully and returned home to practice hard for the concert at the Albert Hall. Just before the performance he got a message that the visa had arrived and Tommy would do the gig. Phil got a cancellation fee and acknowledged that the audience got a better deal hearing Tommy Morgan play the harmonica themes.
3 – Shortly after the London recordings for the Midnight Cowboy soundtrack album Tommy had a telephone call from Polydor Hamburg where he had already made two commercially very successful albums with Kai Warner: Melody Fair and Latin Harmonica. He flew over the next day. They played him a recording from a new film score and asked him if he could play the harmonica exactly the same as the uncredited player on the LP.
The first take was perfect. The producer said: “You are a genius”, and Tommy started to laugh. The producer said: “What are you laughing for?” and Tommy admitted: “That’s me playing on the original record!” The single (Polydor NH 59323), with John Scott as musical director, and with Tommy credited this time (!), climbed the charts in many countries. (Sigmund Groven)
4 – Despite the success of the two recordings by Toots Thielemans and Tommy Reilly, the version recorded by two pianists, Ferrante & Teicher, was nominated for the 1969 Grammy in the category Best Contemporary Instrumental Performance. I don’t think John Barry was very pleased either.
I stepped down as editor of Harmonica World magazine after the August 2019 issue and I decided to do the simple blog I never seemed to have time to do before .
I used to use the blog to announce when the new magazine was being mailed out. Now I want to make it more of a diary where I can share bits of research or news.
