The History of HarmonicaUK (Part 1, 1930-1947)

HarmonicaUK started life as a Hohner marketing activity in 1935 and remained so until it was handed over to the members in 1981. It was first called the Hohner National Song Band League (SBL), then the National Harmonica League (NHL) in 1982 and finally HarmonicaUK in 2021.


Hohner set up in London

Hohner harmonicas had been sold in the UK for a long time but they set up their first representative, M. Michaelson, in the mid 1870s. This arrangement continued with moderate success either side of WW1 until 1929 when Hohner decided that they needed to a bigger presence and they set up Hohner Concessionaires Ltd. in London They brought in their own people to help run the business which was located first in Farringdon Road and then 21 Bedford Street, Strand, London, but it was still not successful enough

In 1930, Dr Otto Meyer was moved from the Hohner Hamburg Export office to reorganise the new company. He was a British National born in Bradford with an English mother and a German father. It was an inspired choice. In the next few years Dr Meyer encouraged the formation of accordion clubs and he realised the need for more tuition and music for the accordion and harmonica. He brought in specialists to provide this. Initially the concentration was on the accordion.

The birth of the Hohner Song Band League.

In 1935, Charles Millard was asked to create the National Harmonica Song Bands League (HSB) with the objective of the promoting the setting up of Song Bands among the youth organisations of Great Britain, Northern Ireland and the Irish Free State.

Tremolo, diatonic and, increasingly, chromatic harmonicas were the main instruments sold at that time.

Players were urged to join the League, get their membership card and then buy their HSB Harmonica and Song-Books.

Soon 100’s of harmonica bands had joined the membership.

Hohner began to publish a magazine “Accordion Times and Harmonica News” later that year. Jimmy Black became the editor.

The development of the teaching side

Dr Meyer had two pieces of luck at this time.

1 – Captain James Reilly, the father of Tommy Reilly, returned from teaching orchestral and harmonica band music in Canada and he accepted the position of Musical Director of the USB.

He wrote articles for the magazine and produced some of the best known tuition books for the harmonica.

2 – Larry Adler was brought from New York in 1934 by C B Cochran to star in his review ‘Streamline’ on the London stage, By 1935, interest in the chromatic was growing fast and Hohner brought out the “Larry Adler” model. Larry toured Britain playing in the main theatres and presenting prizes to players like the young Harry Pitch who won talent contests in local halls. Hohner’s biggest turnover came in1936.

Regional competitions took place and harmonica bands were set up in churches, schools, scouts and youth groups… Books on how to play the chromatic, and how to organise bands and perform in concerts were produced by the new Hohner Concessionaires.

The bands promoted by Hohner used HSB branded tremolos with orchestral, tenor and standard tunings plus vinetas for harmony. Drums and an accordion were sometimes included.

Chromatic soloists like Ronald Chesney and Morton Fraser were starting to emerge, but the HSB and the magazine, Accordion Times, closed down with the start of WW2 in1939. Hohner was regarded as a German Company although it had become a part of Hohner Inc. in New York. Dr Meyer was arrested but released about four months later after an appeal. He had built up stocks so Hohner managed to keep going through the war period.

It took quite a few years after the end of the war to get the business working normally again, but Dr Meyer had more plans for the HSB.


Back to History of HarmonicaUK home index page.

Forward to The History of HarmonicaUK – Part 2

The History of HarmonicaUK Home Page (1930-Present)

HarmonicaUK started life as a Hohner marketing activity in 1935 and remained so until it was handed over to the members in 1981. It was first called the Hohner National Song Band League (SBL), then the National Harmonica League (NHL) in 1982 and finally HarmonicaUK in 2021. (Work in progress)

This multi-part history was published in Harmonica World, the magazine which is distributed to members of HarmonicaUK, between 2020 and 2021. It is in 8 parts.

Nick Reynolds, The Alabama 3 via The Sopranos to The Simpsons

I love to hear the harmonica adding some atmosphere to a film or TV show. Unfortunately the musician who plays the music is rarely credited.

The Alabama 3

I was watching an episode of a series on Channel 5 (British TV) called Finders Keepers and there in the background was that harmonica sound. I checked the website and wrote to the producer and he told me the music was by the Alabama 3, a group from Brixton, in London. Feeling pleased with myself, I watched the program again and saw that their name was on the opening credits…

I visited the Alabama 3 website and found out more about their harmonica player, Nick Reynolds.

Nick Reynolds

Nick was born in London in 1962 and his first band was in the Royal Navy in1979. In 1983, whilst serving in Navy Intelligence in Whitehall, he played with the reformed 60’s group The Pretty Things until 1985 when he went to Australia. On his return to London in 1989 he played in a series of groups – Les Grandes Branleurs, Backstreet Band, the Brit-pop band Octopus, and the experimental electro jazz band Blowpipe before becoming part of the Alabama 3 in 2001. There are more than 3 members and they don’t come from Alabama.

Woke up this morning

Alabama 3 were a new band to me and we don’t have any TV subscription channels. This may explain why when I started looking at their recordings I was unaware of the world wide fame they had achieved when their recording of Woke up this morning was used for the opening credits of The Sopranos. The bluesy rap song with influences from Howlin’ Wolf, Mississippi Fred McDowell and Muddy Waters.

From The Sopranos to The Simpsons

I went off in search of news of The Sopranos and found some great videos and parodies of the opening credits to the TV show.

The Sopranos opening credits
The Simpsons Parody

Alabama 3 in concert

Here are two performances of Woke up this morning by Alabama 3. The first one live in concert and a second small group acoustic one with more of Nick on harmonica.

Woke up this morning – Belladrum 2023
Work up this morning – Cigar Box Sessions 2015

More on Nick Reynolds, harmonica player, writer, sculptor, artist, composer and producer here.

Midnight Cowboy – Toots Thielemans or Tommy Reilly – solved!

The theme from Midnight Cowboy is one of the best known pieces of music played on harmonica.

This is the version from the Soundtrack Album of John Barry’s music for the Jerome Hellman – John Schlesinger film Midnight Cowboy.

Everyone knows who played it, don’t they…
It was Toots, wasn’t it???

I stumbled over this question when someone told me it wasn’t Toots Thielemans, it was the British harmonica soloist, Tommy Reilly. It turned out to be more complicated than this.

The making of Midnight Cowboy

John Schlesinger began filming Midnight Cowboy in Florida, Texas and New York in 1968 and during 6 months of post production he realised that he needs some contemporary music for the film. John Barry had written music for Bond films and had also been involved with the UK popular music scene in the 60s as the leader of the John Barry Seven, and an arranger for pop singers, so he was asked to supervise the music for the film.

Some of the music had already been chosen, like Fred Neil’s Everybody’s Talkin‘, sung by Harry Nillson, but more, dramatic music was needed – something which was to become as famous as Everybody’s Talkin‘. A lonely harmonica tune that almost anyone could play.

The recording of the harmonica soundtrack with Toots Thielemans

John Barry said, “I wrote the harmonica theme, in which the counter melody is more important than the melody, giving a general repetitive feeling like going nowhere, to reflect the underbelly of New York. For the actual melody, I wanted something very unsophisticated, that any guy sitting outside a gas station in Texas could play. “

“We kept the instrumentation very simple, 12 string guitars, a rhythm section and the harmonica, so that the theme of Midnight Cowboy in the score would fit in with the musical language of the Nillson song.”

Toots Thielemans was living near New York at that time and his chromatic harmonica brought great tenderness and longing to the theme. He also can be heard on some of the re-recorded Nielsen pieces in the earlier part of the film. All the harmonica heard during the film is played by Toots.

The recording of the Film Music Album with Tommy Reilly

The commercial release of music from the film Midnight Cowboy is a bit more complicated. Eight of the twelve tracks on the sound track LP, called the Original Motion Picture Score released by United Artists Records (Liberty 1A 054-90639), were from the New York film soundtrack recordings, but the other four tracks, including Midnight Cowboy and Joe Buck rides again, were recorded in London in June 1969. This time the harmonica on Midnight Cowboy and Joe Buck rides again was played by Tommy Reilly. Any other harmonica heard on this album is by Toots.

The release of the single versions of the Midnight Cowboy Theme

Following the release of the LP soundtrack album, Toots and John Barry released a 7″ single (45rpm) of Midnight Cowboy on Columbia and Tommy Reilly and The John Scott Orchestra released a 7″ single (45rpm) version on Polydor.

Toots Thielemans and John Barry
Tommy Reilly and John Scott

These recordings show that it was Tommy’s idea to bend the notes in the main theme. Tommy always thought that that Toots was perfect for the movie and did a fantastic job.

The double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score

Much of this information comes from the CD notes of the excellent and comprehensive double CD “Midnight Cowboy – Expanded Original MGM Motion Picture Score“. [Quartet Records – QR434, MGM Records – QR434, Universal – QR434].

CD1 has the original LP tracks and some bonus tracks, including alternate versions of Toots playing Midnight Cowboy. CD2 has the music from the original film score. The CD booklet does not say Joe Buck rides again was played by Tommy Reilly.

Background to the John Barry recordings in London

Tommy Reilly’s manager, Sigmund Groven, added more background to the reason for the London re-recording of Midnight Cowboy. “John Barry had worked with Tommy several times before, including on the 1966 Marlon Brando film “The Chase” (soundtrack on CD: Varese Sarabande VSD-5229), and he wanted to feature Tommy in the Midnight Cowboy score.

As it happened Tommy was unavailable; he was on tour in Australia at the time, so John Barry asked Toots to play in the film. However, when Tommy was home after his Australian tour, John Barry was very pleased to be able to use him on the London sessions for the album.”

There are some great videos of Tommy and Toots playing Midnight Cowboy.

Toots plays Midnight Cowboy at 90 years old
Tommy Reilly plays Midnight Cowboy on Dutch TV

Extra Information.

1 – There are two recordings of the theme from Midnight Cowboy recorded by Toots Thielemans and John Barry after the release of the film. The commercial 45rpm version (above) has a “fattened” harmonica sound (flanger?) and the alternative take, which is also on the double CD, sounds like a straight mono recording.

2 – Popular concerts of John Barry’s music (including Midnight Cowboy and Dancing with Wolves) provided regular work for harmonica players. In the UK this has included Jim Hughes and Harry Pitch when Tommy Morgan could not make it from California. Phil Hopkins was once summoned to John Barry’s house in London as there were problems with Tommy Morgan’s UK visa.

Phil auditioned successfully and returned home to practice hard for the concert at the Albert Hall. Just before the performance he got a message that the visa had arrived and Tommy would do the gig. Phil got a cancellation fee and acknowledged that the audience got a better deal hearing Tommy Morgan play the harmonica themes.

3 – Shortly after the London recordings for the Midnight Cowboy soundtrack album Tommy had a telephone call from Polydor Hamburg where he had already made two commercially very successful albums with Kai Warner: Melody Fair and Latin Harmonica. He flew over the next day. They played him a recording from a new film score and asked him if he could play the harmonica exactly the same as the uncredited player on the LP.

The first take was perfect. The producer said: “You are a genius”, and Tommy started to laugh. The producer said: “What are you laughing for?” and Tommy admitted: “That’s me playing on the original record!” The single (Polydor NH 59323), with John Scott as musical director, and with Tommy credited this time (!), climbed the charts in many countries. (Sigmund Groven)

4 – Despite the success of the two recordings by Toots Thielemans and Tommy Reilly, the version recorded by two pianists, Ferrante & Teicher, was nominated for the 1969 Grammy in the category Best Contemporary Instrumental Performance. I don’t think John Barry was very pleased either.

Jim Hughes and Rob Paparozzi talk and play

Jim Hughes was 94 when Rob and I decided to make an unplanned visit to his home in Birmingham. Rob knew about Jim’s years of session work including ‘Last of the Summer Wine‘ and many radio broadcasts, but they had never met.

Jim is possibly the best teacher of the chromatic harmonica and two of his students were World Champions.

Rob uses Jim’s highly regarded course books when teaching his own pupils.

Jim’s teaching materials, CDs, and a huge list of written scores for harmonica by James Moody and other composers are available through email – jamesmoodyscores@gmail.com

Jim was a great advocate of learning to sight read music and did so all his working life – a great asset for recording sessions. Unfortunately he is now totally blind but he practices many hours a day and has become very good at playing by ear. This has also led to him now to concentrating on his love of jazz standards.

Rob and Jim got on very well and they had a mutual respect for each other. After some discussion, they started to play together as can bee seen in the 20 mins video below. This was not a performance. It was all spontaneous and as is easy to see, a very enjoyable time for both of them.

A musical meeting of minds (and chromatic harmonicas)

You can watch chromatic harmonica maestro, Filip Jers, talking to Jim Hughes in 2024 here

Chromatic Harmonica Music from Tommy Reilly Tribute Concert

Douglas Tate, Jim Hughes, Philip Achille, Frank Semus, and Ola Braein perform music for the chromatic harmonica at a concert organised by Ena Reilly in Frensham Church in 2004, accompanied by Chris Collis (piano) and the Quartet Pro Musica.

Music includes three works for Harmonica and String Quartet – ‘Divertimento’, ‘A Yorkshire Tale’ and ‘Somerset Garland’ – plus solo pieces by Fauré , James Moody, David and Tommy Reilly, Tchaikovski, and Norwegian traditional music.

The original concert included performances by singers Hannah Poulsom and Jim Heath, but this video only includes the harmonica performances. The start times for the individual artists and pieces of music are given below.

An evening sponsored by The Tommy Reilly Appreciation Society in Frensham Church in 2004

Concert Programme

Douglas Tate and Chris Collis (piano)
0:01:00 – Berceuse (Fauré )
0:04:30 – Three Irish Dances (arr James Moody)

Philip Achille and Chris Collis (piano)
0:07:20 – Little Suite, 3rd and 4th movements (James Moody)

James Hughes and Philip Achille with String Quartet
0:14:40 -1771 (James Moody)

James Hughes and String Quartet
0:18:00 – Divertimento for harmonica and string quartet (Gordon Jacob) – 4 movements
0:29:00 – A Yorkshire Tale – Ronnie Hazelhurst

Frank Semus and Chris Collis (piano)
0:37:40 – Canzonetta from 2nd Movement of Tchaikovsky’s Violin Concerto
0:43:59 – Age of Innocence – David Reilly

Ola Braein and Chris Collis (piano)
0:47:33 – Wedding march
0:49:21 – Visetone (Norwegian traditional)
0:52:00 – Lord, look upon our joy (Norwegian traditional)
0:53:28 – Vårsøg (wind of spring) – Henning Sommerro
0:56:40 – Spanish folk song (traditional)

James Hughes with String Quartet
0:59:00 – Somerset Garland (Paul Lewis)
1:13:05 – Bavarian Woodpecker (Tommy Reilly)

Concert End
1:15:24 – Thanks to Ena Reilly


My harmonica video archives on YouTube and Vimeo

My uploaded harmonica video archives can be found in several places.

YouTube – My first attempts at video production were to capture the annual National Harmonica League (NHL, now HarmonicaUK) concerts in the Folk House in Bristol, starting in 2001 until they were moved after 2018. I also began to digitise some earlier NHL concerts from VHS tapes and early camcorder tapes mainly from recordings by Victor Brooks. Around 230 videos can be viewed on my YouTube site.

Here is the video introduction for this channel.

Vimeo – I prefer the videos to be viewed without ads, and I like the control that a paid Vimeo account allows. The downloading and embedding of the videos can be specified and if a video needs updating or editing it can be uploaded over the original without affecting the original link/url.

My more recent harmonica videos have been uploaded to Vimeo where they can be linked to my websites like this blog. There are over 75. You can view them here

The videos are organised into Showcases where similar videos are grouped together.

Playing the Thing – One group of the Vimeo videos is part of a project to reverse engineer a harmonica film from 1972 – ‘Playing the Thing‘ – directed by Chris Morphet. These are now embedded on a dedicated web site for this project which is recreating the original interviews which were edited to create the original film – Larry Adler, Sonny Terry, James Cotton, Cham-Ber Huang, Duster Bennet, Bill Dicey, Andy Paskas, Hohner’s Factory, Dutch Harmonica Championship … You can watch the original film here,

Chromatic Harmonica Music from Douglas Tate Memorial

This video contains all the chromatic harmonica music played during the Memorial Service held on April 21st, 2006, in Olney Parish Church. Douglas Tate was a charismatic UK harmonica player, engineer and teacher. He had played in World Championships, broadcast on the BBC, and written books on the maintenance and playing of the chromatic harmonica. He became President of SPAH in 2000 but his term was sadly ended by cancer.

Douglas had been involved with the National Harmonica League (now HarmonicaUK) for most of his adult life and the musicians who took part in the Memorial Service were friends from the organisation. Gerry Ezard, Colin Mort, and Harry Pitch were long time friends and Philip Achille, Eddie Ong and Jamie Dolan were youngsters that Douglas had encouraged.

  • 01:20 mins – Douglas Tate – Sonata for Harmonica (Peter Jenkyns)
  • 06:00 mins – Jamie Dolan – Mulberry Cottage
  • 09:00 mins – Harry Pitch – Last of the Summer Wine
  • 13:00 mins – Philip Achille – Ashokan Farewell
  • 17:50 mins – Jang Ming – No Place Like Home
  • 19:00 mins – Ensemble – Bach Double Violin Concerto
  • 27:40 mins – Jamie – Dark Island
  • 30:00 mins – Douglas Tate – Trio Sonata in F major (Jean-Baptiste Loeillet)

You can learn much more about Douglas Tate and his life from my articles in the Harmonica World magazine issue shown in the video above. It can be viewed here.

Here is a link to a page of Douglas’ recordings and sheet music put together by Barbara Tate.

Martin Brinsford – Traditional Tremolo Harmonica Player

I first heard about Martin Brinsford when Eddie Upton came to the NHL festival in Bristol in 2008, and we discussed the place of the tremolo harmonica in English Folk dance music. This is covered in full on my blog page on British traditional harmonica players.

Martin was busy at the time with Brass Monkey but eventually he agreed to play at the H2017 and H2018 festivals in Bristol. This is based on his workshops and subsequent communications.

This is work in progress.


Martin was born in 1947 and was given a Hohner Chromatic harmonica when he was 10 years old. He still owns it although he has played tremolo harmonica for the last 50 years. He took up the drums in 1962.

In 1972 he bought a copy of ‘Morris On‘, a folk rock interpretation of Morris dance tunes featuring John Kirkpartrick and members of Fairport Convention, and fell in love with the music. That year, after moving to Cheltenham, he joined the newly formed and subsequently legendary Old Spot Morris dancers where he met Rod Stradling, an influential melodeon player and evangelist for the traditional music of England. Rod gave Martin at least 6 hours of cassette tape recordings of traditional musicians which he listened to religiously whilst working as a carpenter on building sites, much to the bemusement of the rest of the workforce!

Rod also introduced Martin to the Romany Traveller tradition of simultaneous mouth organ and tambourine playing. 

The Old Swan Band, England’s premier country dance band, was formed in 1974 with Rod, Martin and other local musicians, playing tremolo and and percussion. It is still playing and they had a 40th anniversary concert tour in 2014.

Martin’s first recording was in 1976 on squeeze box virtuoso John Kirkpartrick’s album Plain Capers and in 1977 the Old Swan Band released the first of many LPs and CDs

Martin Carthy and John Kirkpatrick set up Brass Monkey in 1981 and invited Martin Brinsford to join. They toured and recorded extensively but intermittently for over 30 years. Martin is pretty confident he was in the only band to play at the Albert Hall and his local pub, The Prince Albert, in Stroud. Here is a video featuring Martin playing Happy Hours with them.

Martin played with several other bands like The Tangent Band, and Edward II and the Red Hot Polkas as well as taking part in many recording sessions on harmonica, saxophone and percussion.

He has also recorded with the English country dance band ‘The Mellstock Band‘, ‘The Steve Ashley Band‘, ‘Phoenix‘, and ‘Grand Union‘, on on harmonica, saxophone and percussion. He even played on ‘Grandson of Morris On‘ a third generation follow up to the record which inspired him all those years before.

An unusual part of Martin’s style is his gypsy style harmonica and tambourine playing. He discussed this in a workshop at the NHL H2017 festival. He also demonstrated his interest in performing a wide range of world music.

Currently he is playing with The Pigeon Swing who specialise in vintage Québécois dance music, and who are planning to record later this year.

Martin and Katie Howson played together for a few years, but now it is on an occasional basis.

Martin’s most recent CD, ‘Next Slide Please‘ has lots of mainly Irish/American tunes and was recorded with Keith Ryan and Gareth Kiddier.

Return to my blog page on British traditional harmonica players.

Terry Potter – Traditional Tremolo Harmonica Player

I learned about Terry Potter from Eddie Upton in 2008. Eddie ran Folk South West when he came to the National Harmonica League festival. He was able to give me the names of some harmonica players who were active in the English folk music scene.

These are included in my blog page on British traditional harmonica players.

It is work in progress.

Terry Potter is a tremolo player who has been active since the 1960s with the modern traditional musicians like Ashley Hutchings (‘The Compleat Dancing Master‘, ‘Kicking Up The Sawdust‘) as well as playing with the Etchingham Steam Band, Potters Wheel and his family group, Cousins and Sons.

Along with Richard Taylor, I interviewed Terry Potter in his home in Sussex in 2009. I am using this and subsequent written communication to write this blog.


Terry was born in 1935 and is a traditional folk musician. He first became involved after his extended National Service in Germany, when he attended a local folk club in 1957, in the Free Christian Hall, in Horsham, West Sussex, where he still lives. It was run by his parents and he joined in all the dancing. He wanted to play this sort of music and remembered he had some old mouth organs at home. His father had played mouth organ and Terry had played a few pop songs – but not in public! Both his father, Charlie, and mother, Marjorie sang folk songs and were recorded by local collectors in the 1950s. Their original songbook was presented to the Horsham Museum.

He was allowed to join in at the next dance and soon learned to play a number of tunes, like ”Joe the Carrier Lad‘, from three ladies, The Benacre Band, who came to the club. They invited him to play with their band. He played his first concert that year which lead to to his first band, ‘The Derrydowners Folk Band’ with Geoff Hedger (piano), Derrick Smith (accordion), George Whetton (banjo), Lionel Bounton and Tony Wales (drums). It played for Barn Dances throughout Sussex for over 25 years

Terry formed a folk club in Horsham in 1958 with Tony Wales called called Horsham Songswappers, and the Horsham Folk Club continues to this day. Folk musicians were a close knit group and Terry joined up with Paul Morris (guitar/banjo) and Mike Howley (accordion) and played with them at ‘The Troubadour‘ at the time of the London folk boom, and with ‘Benacre Band‘ at the Albert Hall, in London, in 1958. There was also ‘The ‘Pandemonium String Band‘ with Pete Marsden (fiddle, guitar and vocal) in 1958 and ‘Country Cousins‘ began in 1962. Terry collected folk albums and played in the Ceilidh, jazz and blues clubs in Dublin and made visits to Germany.

In 1970, Terry was in Martyn Wyndham-Read’s band, ‘No Man’s Band‘ and they were heard busking in Leicester Square, London. They were playing Ned Kelly songs outside the premier of the film ‘Ned Kelly‘, staring Mick Jagger, and they ended up playing them on the BBC2 late night TV show.

Terry met Ashley Hutchins in 1972 when he was recording an album of traditional tunes with well known folk musicians, ‘The Compleat Dancing Master‘.

Terry played on the three tracks below:
First, ‘Haste to the Wedding‘ –
2:10 mins, ‘The Triumph‘ –
4:25, ‘Off She Goes‘.

Here are a couple of tracks from Shirley Collin’s 1974 album, ‘Adieu To Old England‘. First, ‘The Chiners‘ and then ‘Portsmouth‘.

From the 1970s, Terry played mouth organ occasionally with several progressive folk bands such as ‘The Albion Band‘, ‘Kicking up the Sawdust‘, ‘The Etchingham Steam Band‘, ‘Potters Wheel‘, and ‘No Man’s Band‘. These bands included great musicians Ashley Hutchins, Shirley Collins, Dave Mattocks, Simon Nicol, Martyn Wyndham-Read, John Kirkpatrick, Bob Cann, Grahame Taylor, Peter Bullock, Michael Gregory, John Tams, and John Rodd.

You can see glimpses of Terry in the first part of a video documentary about ‘The Albion Band.

Here is a link to the 1974 John Peel session with the Etchingham Steam Band.

Here Terry is featured on ‘Speed the Plough‘ on the ‘Kicking up the Sawdust‘ LP.

Some of these bands became very popular and some of the musicians went full time and toured Europe. Terry had a job and could not continue so he stood down and continued to play locally. He had worked with Metal Box but later did a series of local jobs.

Terry had continued to play with his cousin, Ian Holder, and wife, Margaret, since 1963 with various musicians but the band finally settled into, literally, Cousins and Sons‘ when they were joined by their sons, James Potter and Gary Holder. In 1978, John Tyler included their gigs in Harmonica News. They played together for 50 years but no longer play regularly in public. Fortunately, Dave Arthur recorded the group in 1993 in Terry’s sitting room.

Terry does not read music so he has built up his large repertoire of music by learning by ear. He only plays a tremolo but this has all the diatonic notes and it lets him play in many styles of music besides folk, including popular and some jazz tunes for fun. The mouth organ’s musical range is similar to other instruments in the bands but he can play in the higher octaves to have a more distinctive voice. He also uses a small Hohner mic and amplifier when playing in the band. Like Sonny Terry he plays the mouth organ upside down (back to front) with the high notes on the left.

Terry has made lots of recordings but the financial rewards are slim. His checks of the Royalties website suggest he may have to wait a while before they reach the level where they start paying out. He plays music for the heart and still gets nervous when he performs.

Terry has a large collection of mouth organs but his favourite is a Golden Melody which he plays in the keys of C,G,A,D,E and F. Hohner liked to get value from their brand names and this is not the well loved blues harp, but a tremolo harp.

Terry has made a collection of tracks called “Terry’s Collection – 1974 to 2001” which illustrates the range of his musical performances with different groups.

A = ‘Country Cousins‘, B = ‘Potter’s Wheel‘, C = ‘No Man’s Band‘, and D = ‘Etchingham Steam Band‘.

Track 1, A, Walpole Cottage

Track 2, A, Cumberland Reel/Rosin the Bow

Track 3, B, Acre of Land

Track 4, A, Cross of Arboe

Track 5, A, Michael Turner’s Trip to Cheltenham

Track 6, C, Three Morris Tunes

Track 7, B, April Morning

Track 8, A, Austrian Pottery

Track 9, A, Portsmouth/New Rigged Ship

Track 10, B, Dark Eyed Dinah

Track 11, A, Three Sea Captains

Track 12, A, Salmon Tails/Maggie in the Woods

Track 13, C, Shelter

Track 14, A, Bonnets so Blue

Track 15, D, Orange in Bloom

Track 16, B, Soldiers Glory/Brothers in York

Track 17, A, The Guilded Cage

Track 18, A, The Fyket and Bainbridge Girls

Log Cabin/Lisa Jane

Big Corral/Kemo Kimo (Sing Song Kitty)

Kitty McGee/Paddy Cary

Return to my blog page on British traditional harmonica players.